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Finding Lost Space
The problem of "lost space," or the inadequate use of space, afflicts most urban centers today. The automobile, the effects of the Modern Movement in architectural design, urban-renewal and zoning policies, the dominance of private over public interests, as well as changes in land use in the inner city have resulted in the loss of values and meanings that were traditionally associated with urban open space. This text offers a comprehensive and systematic examination of the crisis of the contemporary city and the means by which this crisis can be addressed. Finding Lost Space traces leading urban spatial design theories that have emerged over the past eighty years: the principles of Sitte and...
Industries
Josef Koudelka started using a camera in panoramic format in 1986 while participating in the photographic mission of the DATAR, whose objective was to “represent the French landscape of the 1980s”. He thus criss-crossed France, then the entire world, to take stock of modern humanity’s influence on landscape. This book, with an original, raw binding and an imposing format, gathers 40 panoramic photographs selected by the artist with the complicity of François Hébel. These images bear witness to major human works, ranging from factories to quarries, or enormous mining complexes and abandoned zones. They carry the reader into inaccessible and little-known areas, between sublime and disarray, to witness the imposing reality of industry that we try now to erase. A text by François Hébel gives an overview of Koudelka’s photographic journey and his fascination for industrial landscapes over 30 years whereas François Barré’s essay contextualizes this ensemble into the history of landscape.
Urban Lanscapes, de Berlin À Shangaï
Entre 1987 et 2007, J.-C. Ballot a réalisé des reportages photographiques de villes dans le monde entier. Son regard sur le paysage urbain lui permet d'aborder la dimension scénique et symbolique de l'espace public, de parcourir la mémoire et l'histoire de la ville.
Spacetimenarrative
space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space.
François Poulain de la Barre and the Invention of Modern Equality
His writings challenging male supremacy and advocating gender and racial equality are the most radically egalitarian texts to appear in Europe before the French revolution."
Fernand Khnopff
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe. In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siecle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings.
Roman Cieslewicz
Tout au long de sa vie professionnelle, Roman Cieslewicz a fait preuve d'une inventivité exceptionnelle. Avec une indomptable énergie créatrice et sans se préoccuper des frontières, il a utilisé le collage et le photo-montage pour détourner des images et créer des associations insolites. L'utilisation quasi systématique des couleurs vives et des formes pures donne à ses créations un cachet unique et immédiatement reconnaissable. Au-delà de ses qualités artistiques, Roman Cieslewicz reste aussi inoubliable pour ses prises de position, ses revendications, son engagement mais aussi sa capacité à choquer.
Recovering Women's Past
This collection of essays focuses on how women born before the nineteenth century have claimed a place in history and how they have been represented in the collective memory from the Renaissance to the twenty-first century.
Rousseau Today
This book demonstrates that Rousseau offers a distinctive critical voice which is worthy of listening to. Rousseau is shown to target not merely social ‘injustices’, but the very dynamics central to the ‘form of life’ itself. As such we are able to contemplate, and engage in, a more foundational form of social critique. We contend that by returning to Rousseau, both as a theorist in his own right, and as an interlocutor with the contemporary literature within radical political and social philosophy, we can see both the circumscribed nature of contemporary discussion, and the true importance of Rousseau’s thought. In summary, Rousseau remains a figure of vital importance across disciplines and it is high time for an edited volume which connects insights centring his thought and impact today.
Rethinking the French City
This book considers the post-68 French city as a prism through which to understand the contemporary world and France’s specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique—stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city—has sparked in France a passionate search for a third path, which the author proposes to term après-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal.
