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François Bard
Portraitiste organique et virtuose, jouant avec la matière, François Bard capture les hommes et femmes de son époque, fige des instants et des attitudes, puisant son inspiration chez les anciens maîtres de la peinture espagnole ou renaissante.
Mount Kilimanjaro
Mount Kilimanjaro is one of Tanzania's most consummate symbols. Interest in Mount Kilimanjaro dates back to the nineteenth century, when epic excursions by scientists, explorers and missionaries kindled controversy, envy and unquenchable desire; and the mountain became a prototype of colonial exoticism. Contemporary preoccupations with the mountain as an essential ingredient of national identity and of Tanzania's self-image are in some senses attempts to recapture what has been stolen. Moreover, as part of the legacy of both Chagga farmers and Maasai shepherds, it is both an image of agricultural toil, and of traditional pastoral values. It has become a psychic landmark for collective identi...
The Mountain
"From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics."--Jacket.
Indian Africa: Minorities of Indian-Pakistani Origin in Eastern Africa
Kenya, Uganda and Tanzania have minorities from the Indian sub-continent amongst their population. The East African Indians mostly reside in the main cities, particularly Nairobi, Dar es Salaam, Zanzibar, Mombasa, Kampala; they can also be found in smaller urban centres and in the remotest of rural townships. They play a leading social and economic role as they work in business, manufacturing and the service industry, and make up a large proportion of the liberal professions. They are divided into multiple socio-religious communities, but united in a mutual feeling of meta-cultural identity. This book aims at painting a broad picture of the communities of Indian origin in East Africa, striving to include changes that have occurred since the end of the 1980s. The different contributions explore questions of race and citizenship, national loyalties and cosmopolitan identities, local attachment and transnational networks. Drawing upon anthropology, history, sociology and demography, Indian Africa depicts a multifaceted population and analyses how the past and the present shape their sense of belonging, their relations with others, their professional and political engagement.
