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First multi-year cumulation covers six years: 1965-70.
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This study reveals reading to be one of the main activities to occupy the inhabitants of the world of Marcel Prousts novel A la recherche du temps perdu. Characters do not just read books but have access to the journals and newspapers of a rapidly expanding print industry. They receive letters and postcards from family and friends. The posters of a nascent advertising industry tempt them to spend an evening at the theatre or a holiday by the sea, and new forms of communication, such as telegraphy, enter their lives and require new strategies of deciphering. All human activity is glossed by means of a series of metaphors of reading, extending the readers domain beyond the written text. Through a series of illuminating analyses, Teresa Whitington shows how this web of references builds into a specifically Proustian account of both the outer, social context of reading and the inner, psychological world of the reader. Proust offers a contribution to the history of reading in the France of his own lifetime and suggests that reading is the very condition of the writing of his fiction.
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Proust's A la recherche du temps perdu is a hybrid, a novel-essay, a capacious work of fiction containing a commonplace-book. It might, as Roland Barthes has suggested, be thought of as the product of profound and cherished indecision, Proust's indecision between two styles of writing, themoralistic and the fictive/novelistic/romanesque. Structure and Science is an exploration of this indecision.The shorter Proust, Proust the moraliste, is a prolific writer of maxims, from the laws of the passions to the aesthetic manifesto of the Temps retrouve to the [?rapacious] teeming/fertile/spawning/exuberant/luxuriant reflection(s) on sexuality, politics, society. Yet these maxims, whose grammarlays claim to timelessness, are bound up in narrative, the story of their evolution. And disintegration. Proust's moralizing exposes our affective relationship with law statements, with authority, and it is this question that engages A la recherche in an epistemological debate which crosses theboundaries between the two cultures, art and science. What might be called the epistemological alertness of Proust's text is explored at this interface between 'modernist' science and literature.
Is there a new need and place for God-talk in Europe? The present volume both confirms this and opens up new questions for discussion. It shows how different traditions of naming and thinking God in Europe draw on various theoretical and philosophical foundations that are in competition with one another in many ways. Due to socio-cultural, historical and political divides between Eastern and Western Europe, these theological traditions often suffer from isolation and mutual misunderstanding. Can the inherent tensions and conflicts be understood more adequately? While exploring a variety of approaches in Europe on the topic, several authors also ask: How can God be named and thought in Europe...
Explores how early radio and sound recording influenced modernist literature. Breathless explores early sound recording and the literature that both foreshadowed its invention and was contemporaneous with its early years, revealing the broad influence of this new technology at the very origins of Modernism. Through close readings of works by Edgar Allan Poe, Stéphane Mallarmé, Charles Cros, Paul Valéry, Villiers de L'Isle-Adam, Jules Verne, and Antonin Artaud, Allen S. Weiss shows how sound recording's uncanny confluence of human and machine would transform our expectations of mourning and melancholia, transfiguring our intimate relation to death. Interdisciplinary, the book bridges poetry and literature, theology and metaphysics. As Breathless shows, the symbolic and practical roles of poetry and technology were transformed as new forms of nostalgia and eroticism arose.
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