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The Promise of History
No detailed description available for "The Promise of History".
Trial of Strength
When the great conductor Wilhelm Furtwangler (1886-1954) decided to remain in Germany under the Third Reich, he was widely and bitterly condemned as a Nazi collaborator who gave cultural and moral credibility to Hitler's regime. Although Furtwangler was exonerated at a de-nazification trial in 1947, his reputation as a Nazi sympathizer continued to darken both his personal and professional life. In this meticulously researched book, Fred K. Prieberg thoroughly investigates the renowned musician's uneasy position in Nazi Germany. Prieberg reveals in fascinating detail that Furtwangler, by persisting with his direction of the Berlin Philharmonic Orchestra and the Berlin Staatsoper, waged a her...
Dislocated Memories
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful argumen...
Opera After the Zero Hour
'Opera After the Zero Hour' argues that newly composed opera in West Germany after World War II was a site for the renegotiation of musical traditions during an era in which tradition had become politically fraught.
Broadcasting Fidelity
A landmark history of early radio in Germany and the quest for broadcast fidelity When we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it’s a cello, a guitar, or an operatic voice. Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century. In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices. The physicists and engineers of ...
Culture in Nazi Germany
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to ...
The Devil's Music Master
From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But his decision to remain in Germany when the Nazis came to power earned him condemnation as a Nazi collaborator--"The Devil's Music Master". 30 halftones.
Richard Strauss
As we approach the fiftieth anniversary of Richard Stauss's death, scholarly interest in the composer continues to grow. Despite what was once a tendency by musicologists to overlook or deny Strauss's importance, these essays firmly place the German composer in the musical mainstream and situate him among the most influential composers of the late nineteenth and early twentieth centuries. Originally published in 1992, this volume examines Strauss's life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history. Contributors discuss Strauss as a young composer steeped in a conservative instr...
The History of Futurism
Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
