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The Evergreen
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The Terminator #1 – 17 (1988-1990) Complete
The Year is 2031. It’s been three years since Skynet’s failed time-travel attempt to kill Sarah Connor. During these years, John Connor’s organized force of freedom fighters have been beaten back, and reduced to rag-tag independent squads. Just south of Miami, Skynet has constructed a human replication complex–or Flesh Farm. The computer’s goal, being to breed a new race of mankind. A race that is machine sympathetic. A Florida based pocket of freedom fighters, nicknamed Sarah’s Slammers, has pledged to destroy this complex. With grim determination, but little in the way of firepower, they face this challenge–but it’s clear from the start that this is a hopeless crusade. As determined as they are, they need help. Big-time help.
Chesterfield
Arriving in 1815 by boat at Howell's Landing off the Missouri River was Chesterfield's founder, Col. Justus Post. Chesterfield, Missouri, is a distinct city because it did not grow from a single "named community" like most. It was once six separate towns, each with its own post office. The history of these communities and families that lived in them interweave to make a remarkable story that still lives on in the city of Chesterfield. Since the beginning, the town has strived to serve its community with exceptional schools, places of worship, public services, and businesses. The railroad, steamboats, and later the airport aided the economy, and the city began to thrive. Chesterfield became incorporated in 1988 with the support of many, including the chamber of commerce, businesses, renowned schools, and dedicated citizens. The city continues to grow because of the seeds that were planted over two centuries ago. The rich history is embedded in the people, streets, and buildings that stand today.
The Art Firm
The Art Firm explores the seemingly unorthodox alliance of the arts, management, and marketing. Art firmsas avant-garde enterprises and arts corporationshave existed for at least two hundred years, using texts, images, and other types of art to create corporate wealth. This book investigates how to apply the methods artists use in creating value to the methods more traditional managers use in running their businesses. Guillet de Monthoux offers a crash course in aesthetics from Kant to Gadamer, showing how aesthetic management and metaphysical marketing can create value. Using case studies of successful art managers from Richard Wagner to Robert Wilson, the author illustrates the creative roleso central to value-making in contemporary economiesperformed by aesthetic play in art firms. Along the way, Guillet de Monthoux points out how responsible aesthetic management and marketing can eradicate the problems of banality and totality, the two capital sins of an art-based economy.
Archival Guide to the Collections of the United States Holocaust Memorial Museum
Internet version provides the full text of the printed edition, fully searchable by key word.
