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Frederic Manning
In January 1930 Her Privates We appeared in London, advertised as "a record of experience on the Somme and Ancre fronts in 1916" from the pen of "Private 10922, a well known man of letters, already distinguished in another kind of literature." Reviewers praised the novel as the most accurate and moving portrayal yet rendered of the common soldier, and the work quickly became a bestseller. Shortly thereafter the author was revealed as Frederic Manning, a reclusive and little-known author of narrative poetry, philosophical dialogues, and works on Epicurus. An early contributor to Criterion, Manning enjoyed considerable esteem among his peers--T. E. Lawrence, Ernest Hemingway, Ezra Pound, and T. S. Eliot, among others. How did a classical and noncommercial author come to write a grittily realistic war novel? Manning fled from the attendant publicity, avoiding the limelight assiduously and successfully. Marwil's search for the answer to this riddle and for the details of his life (in some ways the search is as interesting and revealing as the results) and his account of Manning's life and work reveal a great deal of the intellectual and social world of Edwardian and Georgian England.
The Middle Parts of Fortune
"The Middle Parts of Fortune" is a wartime story by Frederic Manning. In the 1920s the demand for writing on the First World War started to grow, the catalyst being the play 'Journey's End' written by R. C. Sherriff. A friend urged Manning to use his undoubted talent to write a novel about his own intense wartime experiences. To capture the moment, Manning worked rapidly, with little opportunity for second drafts and revisions. The result was "The Middle Parts of Fortune", published anonymously in a numbered limited edition of 520 copies in 1929, which are now collectors' items.
The Last Exquisite
None
The Middle Parts Of Fortune
First published anonymously in 1929 because its language was considered far too frank for public circulation, The Middle Parts of Fortune was hailed by T.S. Eliot and Ezra Pound, by Lawrence of Arabia and Ernest Hemingway as an extraordinary novel. Its author was in fact Frederic Manning, an Australian writer who fought in the Battle of the Somme in 1916, and who told his story of men at war from the perspective of an ordinary soldier. The Middle Parts of Fortune is now recognised as a twentieth-century classic.
The Middle Parts Of Fortune
Hailed by Eliot, Pound, Lawrence and Hemingway, and based on the author’s own experiences, The Middle Parts of Fortune is a breathtaking account of the Great War and the men who fought it.
Inside Computer Music
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with nine case studies that analyze key works in the musical and technical development of computer music. The book's companion website offers demonstration videos of the techniques used and downloadable software. There, readers can view interviews and test emulations of the software used by the composers for themselves. The software also presents musical analyses of each of the nine case studies to enable readers to engage with the musical structure aurally and interactively.
Eidola
Reproduction of the original: Eidola by Frederick Manning
Her Privates We
Born in Australia, novelist and poet Frederic Manning moved to England in his youth and was an off-and-on presence there for much of his life. Spurred to defend his adopted homeland, Manning enlisted to serve in World War I. This fictionalized account of his experiences -- initially published anonymously -- offers a gripping look into the historical period and the implications of early twentieth century trench warfare.
The Middle Parts of Fortune
First published in 1929, it is now available as a brand new book. The story is an account of the lives of ordinary soldiers. The central character, Bourne is an enigmatic character and Manning tells his own wartime experiences through him. It is forcibly written, too forcibly for the sensibilities of the time, and a censored version was produced in 1930 under the title 'Her Privates We'.
