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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
This volume surveys nine mediaeval texts which track the growth, sophistication, and power of the mediaeval mind, as it evolved from the sixth century scholarly thought of Cassiodorus and Boethius to Chaucer, Piers Plowman, and the Welsh Mabinogion’s efforts to formulate the premodern condition. En route, the book explores scorching lyric poetry, the darkness of the Niebelungenlied or Beowulf, and the travels of Marco Polo. The overarching focus of the anthology is on the crucial role of mediaeval thought in the making of what we are today, a blend of cultural efforts to grasp our historical self-consciousness, artistic daring, and philosophical subtlety. Dante, Boccaccio, and Chaucer enter the selection, where their cultural imperative has best asserted itself, and the narrowness of the line that separates Mediaeval achievement from Renaissance greatness is highlighted.
This volume presents an autobiography of one writer’s existence in poetry, the tracks left by a clumsy bear taming himself in public; it is also a forum in which to act out and discover oneself. It will serve to light fires, the can-do drive others can surpass, finding in themselves language as daring as their lives, and more daring than the author’s. It endeavours to allow every reader of this text to leave it feeling better, more able to do things by him- or herself, and more convinced that poetry is essential to a good life. The text itself is the eighth title in the 10-volume series Inside Selfhood and History.
“A love song to a lost New York” (New York magazine) from novelist, essayist, and critic Frederic Tuten as he recalls his personal and artistic coming-of-age in 1950s New York City, a defining period that would set him on the course to becoming a writer. Born in the Bronx to a Sicilian mother and Southern father, Frederic Tuten always dreamed of being an artist. Determined to trade his neighborhood streets for the romantic avenues of Paris, he learned to paint and draw, falling in love with the process of putting a brush to canvas and the feeling it gave him. At fifteen, he decided to leave high school and pursue the bohemian life he’d read about in books. But, before he could, he woul...
This collection of film profiles, comprising 37 discussions, covers a variety of films from the twentieth century. It will appeal to a wide reading audience interested in exploring the relevance of films to literature, and culture more broadly. At the same time, the films under consideration are viewed as moves in mind, by which we trade with one another the look of things brought to presence by the shocking directness of eyesight.
This “passionate affirmation of the simple life” explores how walking has influenced history’s greatest thinkers—from Henry David Thoreau and John Muir to Gandhi and Nietzsche (Observer) “It is only ideas gained from walking that have any worth.” —Nietzsche In this French bestseller, leading thinker and philosopher Frédéric Gros charts the many different ways we get from A to B—the pilgrimage, the promenade, the protest march, the nature ramble—and reveals what they say about us. Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau’s eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.
An ingenious thriller, set in Edinburgh, from the master of French noir. Jean-Marie can't believe his luck when he has a passionate triste with a beautiful young Englishwoman, Marjory, who is holidaying in the C te d'Azur. However, when he discovers his lover is married he is crestfallen, and when she returns to her home in rainy Edinburgh he is heartbroken. He takes a fateful decision: to follow her. He arrives in Scotland. but soon the jealous husband appears, and a deadly encounter is only the beginning of a nightmarish, disorienting drama.