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Great American Marches, Polkas & Grand Concert Waltzes
American fingerstyle guitar had its true beginnings with parlor room guitarists in the 19th century who cultivated a written musical tradition modeled after that of European guitarists. Polite society of the time enjoyed stylized society ballroom dances including marches, polkas, and waltzes. the works selected for this anthology represent the best of American parlor-salon guitar music. Several of the composers presented here, such as William Foden, Charles DeJanon, and William O. Bateman, are gradually becoming familiar to a new generation of fingerstyle guitarists interested in the classic guitar's American past. Written in notation and tablature. Audio available online.
Catalogue of the University of Michigan
Announcements for the following year included in some vols.
General Register
Announcements for the following year included in some vols.
Boyd's Fairfield County Directory
Reprint of the original, first published in 1883.
Folk Songs of the Catskills
Part of the ancient Appalachians and just a few miles up the road from a massive metropolitan area, the Catskills have been home to the variety of people who have made the history of the New World. The songs collected here reflect this history. They are songs of rafting and lumbering, war and railroads, prison and hard times, and nonsense and drinking. And they are songs of love—tragic love, thwarted love, foolish love—and sometimes even true love. Collecting the songs began in 1941 when educator Norman Studer and composer Herbert Haufrecht led a group of young people on folklore trips through the mountains. The distinguished musician Norman Cazden continued the collection, adding his re...
Journal
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Bugle Resounding
In the mid-nineteenth century the United States was musically vibrant. Rising industrialization, a growing middle class, and increasing concern for the founding of American centers of art created a culture that was rich in musical capital. Beyond its importance to the people who created and played it is the fact that this music still influences our culture today. Although numerous academic resources examine the music and musicians of the Civil War era, the research is spread across a variety of disciplines and is found in a wide array of scholarly journals, books, and papers. It is difficult to assimilate this diverse body of research, and few sources are dedicated solely to a rigorous and c...
