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A Fan's Notes
This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.
Misfit
Jonathan Yardley portrays in full one of the most tormented, distinctive, and talented American writers of the 20th century.
Page from a Cold Island
The death of Edmund Wilson precipitates an odyssey through the distorted literary landscape of America in search of Wilson's essence as the pre-eminent man of letters and the author's own creative wellsprings
Last Notes from Home
"Of his generation's metafictioneers, Fred Exley has created the richest and most American body of work .... LAST NOTES tells tales about corruption, confession, and the often terrible beauty of the bonds of love." - VILLAGE VOICE Frederick Exley, the splenetic and prodigiously self-destructive narrator and protagonist of A FAN'S NOTES and PAGES FROM A COLD ISLAND, is alive, if not exactly well. In this exhilarating, scalding new novel, Ex recounts his death watch for his older brother, his imprisonment by a nightmarish Irishman, and his sexual enthrallment to a beautiful flight attendant whose lies are even more inventive than his own. Searching compulsively for love and inevitably betrayin...
Misfit
Frederick Exley was at once unique and prototypical. He inhabited his own bizarre universe and obeyed no rules except his own, yet he was a familiar and characteristic American literary type: an author whose reputation rests on a single book. His life, which he described, and disguised, and distorted in all three of his books, rivaled his "fiction. Everything he did involved a struggle, and the most important struggle of his life was his writing; out of that strife came A Fan's Notes, which Jonathan Yardley believes is one of the best books of our time. Exley was an alcoholic who drank in copious amounts, yet he always sobered up when he was ready to write. In his younger days he did time in...
A Fan's Notes
This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.
Exley
For young Miller Le Ray, life has become a search. A search for his dad, who may or may not have joined the army and gone to Iraq. A search for a notorious (and, unfortunately, deceased) writer, Frederick Exley, author of the “fictional memoir” A Fan’s Notes, who may hold the key to bringing Miller’s father back. But most of all, his is a search for truth. As Miller says, “Sometimes you have to tell the truth about some of the stuff you’ve done so that people will believe you when you tell them the truth about other stuff you haven’t done.” In Exley as in his previous bestselling novel, An Arsonist’s Guide to Writers’ Homes in New England, Brock Clarke takes his reader into a world that is both familiar and disorienting, thought-provoking and thoroughly entertaining. Told by Miller and Dr. Pahnee, both unreliable narrators, it becomes an exploration of the difference between what we believe to be real and what is in fact real.
Exley
“The literary equivalent of a half-court shot . . . Extraordinary.”—NPR For young Miller Le Ray, life has become a search. A search for his dad, who may or may not have joined the army and gone to Iraq. A search for a notorious (and, unfortunately, deceased) writer, Frederick Exley, author of the “fictional memoir” A Fan’s Notes, who may hold the key to bringing Miller’s father back. But most of all, his is a search for truth. As Miller says, “Sometimes you have to tell the truth about some of the stuff you’ve done so that people will believe you when you tell them the truth about other stuff you haven’t done.” In Exley as in his previous bestselling novel, An Arsonist’s Guide to Writers’ Homes in New England, Brock Clarke takes his reader into a world that is both familiar and disorienting, thought-provoking and thoroughly entertaining. Told by Miller and Dr. Pahnee, both unreliable narrators, it becomes an exploration of the difference between what we believe to be real and what is in fact real.
A Fan's Notes
This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.
Jernigan
Peter Jernigan's life is slipping out of control. His wife's gone, he's lost his job and he's a stranger to his teenage son. Worse, his only relief from all this reality - alcohol - is less effective by the day. And when the medicine doesn't work, you up the dose. And when that doesn't work, what then? (Apart from upping the dose again anyway, because who knows?) Jernigan's answer is to slowly turn his caustic wit on everyone around him - his wife Judith, his teenage son Danny, his vulnerable new girlfriend Martha and, eventually, himself - until the laughs have turned to mute horror. But while he's busy burning every bridge back to the people who love him, Jernigan's perverse charisma keeps us all in thrall to the bitter end. Shot through with gin and irony, Jernigan is a funny, scary, mesmerising portrait of a man walking off the edge with his eyes wide open - wisecracking all the way.
