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A 1998 collection of essays on the Argentine writer Julio Cortázar.
Más allá del habitual acercamiento panorámico, se centra en un análisis temático: desde el teatro como instrumento de la evangelización o de afianzamiento doctrinal, hasta el que sirvió como expresión de identidades locales.
"Hidden Messages: Representation and Resistance in Andean Colonial Drama is a study that takes into account Andean cultural diversity in four works of Peruvian theater written in Quechua and Spanish. In examining these plays, Chang-Rodriguez considers the density of the different traditions that have marked these works; the complexity and variability of their messages in relation to their heterogeneous spectators, readers, and listeners; and how the colonial playwright reworked the original European models. With a critical eye, the author analyzes texts and images of the period to uncover hidden messages resulting from the uniqueness of colonial situations and the interplay of dissimilar traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Portraits of good battling evil in the geography of hell come in many forms in the Hispanic World. Apocalyptic nightmares, frightful images of chaos and death are inclusive and interrelated, yet simultaneously project an exceptional quality ("never seen or experienced before," "the mother of all battles," "I am the only one who can fix it"). This investigation explores how narrative logic may challenge unified notions of finalities when images remain unfulfilled in a proscribed End. By redeploying transglobal character and narrative potential, the Apocalypse suggests bewildering complexities as it trains its lens on New Beginnings. Here analysis explores resilient formulas for combating the ...
By one of the most original and learned critical voices in Hispanic studies— a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto González Echevarría, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support fo...
"These critical studies propose innovative readings and overall reformulations of the texts and authors that stand as representative of the period for the contemporary reader. The first group of articles refers to reports, chronicles, and Renaissance epics, a vast block of texts that fall in most cases halfway between history and narrative fiction, and examine the experiences of the discovery, the conquest, and the colonization of the new territories. The second group concentrates on regionally marked texts from the Baroque period, especially those of the central figure of the Mexican nun poet and intellectual, Sor Juana In s de la Cruz. Finally, there are some essays on representative texts of the latter part of the colonial period."--Publisher's description.
Volume 1 of a comprehensive three-volume history of Latin American literature (including Brazilian): the only work of its kind.
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Geronimo Stilton's relaxing vacation turns into a crazy treasure hunt in South Dakota, complete with a run-in with a mountain lion and a hot-air balloon ride to Mount Rushmore.
Focusing on central Mexico and the Andes (colonial New Spain and Peru), the contributors deepen scholarly knowledge of colonial history and literature, emphasizing the different ways people became and lived their lives as "indios" in this new study.