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Frederick Wight
Catalog of an exhibition held at Louis Stern Fine Arts, West Hollywood, CA, April 16-May 28, 2005.
Richard Diebenkorn
Richard Diebenkorn: Revised and Expanded by Gerald Nordland is a detailed look at the artwork and life of the acclaimed American artist Richard Diebenkorn. This book captures the modernist works of Diebenkorn, who passed away in 1993. It includes sections on the artist’s prints, his last years, and his influence on contemporary art. Richard Diebenkorn: Revised and Expanded is the ultimate source for art enthusiasts and academics who want an authoritative look at Diebenkorn’s career as one of the leading modern artists of the twentieth century. Author Gerald Nordland is an award-winning art historian, critic, independent curator, author, and educator who currently lives in Chicago, Illinois. He is a leading Diebenkorn scholar and a founder of the California Institute of the Arts.
The Painterly Print
None
Vermeer's Wager
Vermeer's Wager stands at the intersection of art history and criticism, philosophy and museology. Using a familiar and celebrated painting by Johannes Vermeer as a case study, Ivan Gaskell explores what it might mean to know and use a work of art. He argues that art history as generally practiced, while successfully asserting certain claims to knowledge, fails to take into account aspects of the unique character of works of art. Our relationship to art is mediated, not only through reproduction – particularly photography – but also through displays in museums. In an analysis that ranges from seventeenth-century Holland, through mid-nineteenth-century France, to artists' and curators' practice today, Gaskell draws on his experience of Dutch art history, philosophy and contemporary art criticism. Anyone with an interest in Vermeer and the afterlife of his art will value this book, as will all who think seriously about the role of photography in perception and the core purposes of art museums.
American Studio Ceramics
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
The Museum Establishment and Contemporary Art
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
German Expressionism
Catalog of an exhibition held at the Museum of Modern Art, New York, Mar. 27-July 11, 2011.
Romanticism & the School of Nature
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
The Long Now
Text by Jonathan Crary, Russell Ferguson, Holly Myers.
