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Represents the collection of extant Rossetti correspondence, a primary witness to the range of ideas and opinions that shaped Gabriel Rossetti's art and poetry. This work features known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 letters by Rossetti and selected letters to him.
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Pres...
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Pres...
This major reference book for Shakespeare scholars and bibliographers is in the second part of the story of "the greatest book" in the English language. Listing 228 copies of the First Folio, the Census gives concise descriptions of each, covering condition, special features, provenance, and binding. It traces the search for copies, deals with doubtful identifications, describes the tests for inclusion, and presents details of missing copies.
These volumes continue the only complete edition of the surviving correspondence of William Morris (1834- 1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Covering the years 1881 through 1888, they treat the most dramatic period in another facet of Morris's career: his work as a political activist. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Essays on the continuing power and applicability of medieval images, with particular reference to recent films. The middle ages provide the material for mass-market films, for historical and fantasy fiction, for political propaganda and claims of legitimacy, and these in their turn exert a force well outside academia. The phenomenon is tooimportant to be left unscrutinised: these essays show the continuing power and applicability of medieval images - and also, it must be said, their dangerousness and often their falsity. Of the ten essays in this volume, several examine modern movies, including the highly-successful A Knight's Tale (Chaucer as a PR agent) and the much-derided First Knight (t...
In writing this book three questions chiefly interested me. What books and pamphlets did Richard Porson own? From whom did he acquire these materials? What has become of his holdings? Answering the first question was relatively easy. For over two hundred years students have known that, after his death, Porsons library was divided into two unequal parts. The larger portion was sent to auction, the smaller part, together with Porsons papers, was separately sold to Trinity College, Cambridge. To treat the problem I have examined all of the microfilm set of the Sotheby auction catalogues from 1783 to 1808, save when catalogues were not marked or the markings were too faint to decipher: notably J...