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God behind Bars: An Empirical Approach to Prison Ministry in the United States and Germany
This first empirical study on differences between prison ministries in the US and Germany enables a dialogue between chaplains of both countries. What can they learn from each other? What do they have in common – that thus has been transculturally tested? The divergent theological-philosophical backgrounds of the two criminal justice systems are presented along with their different accentuations of retributing punishment and rehabilitating restoration. Religious extremism of inmates and „switching“ of religious orientation in prisons are discussed, the roles of volunteers assessed, and promising restoration methods presented – such as the so-called „Circles“ or religion-related rehabilitation programs, which have been proven to reduce recidivism by changing inmates‘ mindsets. The book examines chaplains‘ working styles in ten fields of activity as well as their theological and political leanings, their job satisfaction and factors contributing to overload, their time management, and their „dreams“ of what could be done better.
Can the West Be Converted?
Rather than reconsidering contemporary culture in light of secularization, much of the western church operates with a degree of nostalgia. She has yet to fully embrace prospective, innovative models for what form her task might take in some of Christianity’s historic heartlands. Amidst rapidly declining church membership, contextualizing the Gospel for the contemporary West is an urgent task for churches and Christians living in this context. This book seeks an interdisciplinary, international, and ecumenical response to this challenge, uniting historical, sociological, theological, and missiological perspectives. Benefiting from recent studies in sociology of religion, Dr. Gantenbein offe...
A Kingdom Not of This World
This book challenges prevalent understandings of elite artistic culture in fin-de-siècle Vienna by examining creative manifestations of utopian imaginings that ran counter and parallel to the cultural pessimism widely diagnosed in that society. It argues that the music and writings of Richard Wagner played a key role in inspiring such imagining, which either embraced and extended Wagner's own visions or countered them with visions that were wholly new.
Merlin
Stephen Knight traces the myth of Merlin from to the early Welsh figure of Myrddin, through centuries of literature and art, and to contemporary examples of literature, film, and television.
Encyclopedia of Christian Theology
The Encyclopedia of Christian Theology, translated from the French Dictionnaire Critique de Théologie 2nd Edition, features over 530 entries, contributed by 250 scholars from fifthteen different countries. Alphabetically arranged entries provide the reader a critical overview of the main theological questions and related topics, including concepts, events, councils, theologians, philosophers, movements, and more. Hailed as a "masterpiece of scholarship," this reference work will be of great interest and use for scholars, students of religion and theology as well as general readers.
Occult History
These lectures are concerned with spiritual forces and influences working in world history and in the karma of human beings. Steiner's penetrating insights into the events and personalities history are one of his major contributions to modern times. Steiner focuses here on the Babylonian and Greek cultures and the connecting threads running between individual personalities and the evolution of humanity as a whole.
The Cambridge Companion to Kafka
Offers a rounded contemporary appraisal of Central Europe's most distinctive Modernist.
No Place Like Home
This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
The Arena
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Views of Berlin
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