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Qu’est-ce qui peut inciter sept générations de Blanchet à choisir un métier triste à mourir aux yeux du commun des mortels? Quelles sont leurs motivations fondamentales? La morosité ou la vitalité? L’appât du gain ou un souci insatiable de servir le prochain? Le respect de la tradition ou le goût du risque? La routine ou le désir de variété? La facilité ou les défis? Ou encore, au-delà des perceptions, est-ce la passion pour une profession vieille comme le monde et indispensable aux êtres humains?
This book analyses assisted death in the philosophical context of biopolitics, searching for the form of resistance which would not produce ‘bare life’ and would not exclude marginalized social groups. A great deal of the criticism of euthanasia from pro-life movements associates this term with the Nazi practice of eugenics, and this book considers the inescapability of the Holocaust in this regard, while also moving the discussion on assisted death in new directions.
How did Mussolini manage to use the 1934 World Cup to benefit his fascist regime? How did North Korea, with its surprising team, reveal itself to the world in 1966? Why did the match between Kuwait and France in 1982 lead to the first diplomatic arbitration? What was behind the scenes of the 1998 'peace match' between the US and Iran? How and why did Qatar win the 2022 World Cup? In this second volume, Kévin Veyssière tells 22 new stories in which football, in the particular context of World Cups, has found itself at the heart of international political issues, from the beginnings in 1900 to the Qatari edition of 2022. The author explains how, for one hundred and twenty years, the greatest sporting competition has always been a tool for influence and power games. Kévin Veyssière, 30 years old, expert and professor in sports geopolitics, created Football Club Geopolitics, a Twitter account followed by more than 55,000 people. He is the author of Football Club Geopolitics: 22 unusual stories to understand the world (Max Milo, 2021).
The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization.
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