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Sustainable Production of Bulk Chemicals
The book describes in detail the authors’ current understanding of the models that incorporate the concepts and techniques of synthetic chemistry, chemical engineering, synthetic biology and bioengineering. These include chemical engineering methods for green chemical production from sustainable bio-resources; using synthetic chemistry and kinetics of chemical reaction concepts in the construction of non-natural enzymes and bio-pathways, partial integration of bioconversion steps in chemical synthesis routes; integration of chemo-, bio- conversion steps in one system; microbial production of chemicals from economic chemo-resourced chemicals; and chemical production of value-added derivatives from bio-based amino acids. It provides a valuable reference source for laboratory and industrial professionals in a number of chemical and biological disciplines such as synthetic chemistry, synthetic biology, chemical engineering, biotechnology, microbiology, molecular biology, etc. Dr. Mo Xian is a Professor at Qingdao Institute of Bioenergy and Bioprocess Technology, Chinese Academy of Sciences, Qingdao, China.
An Artistic Exile
Publisher description
Cinema and Desire
Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong. Cinema and Desire presents Dai Jinhau's best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's Human, Woman, Demon as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s' urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
The Many Faces of Ruan Dacheng
The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China is the first monograph in English on a controversial Ming dynasty literary figure. It examines and re-assesses the life and work of Ruan Dacheng (1587–1646), a poet, dramatist, and politician in the late Ming period. Ruan Dacheng was in his own time a highly regarded poet, but is best known as a dramatist, and his poetry is now largely unknown. He is most notorious as a ‘treacherous official’ of the Ming–Qing transition, and as a result his literary work—his plays as well as his poetry—has been neglected and undervalued. Hardie argues that Ruan’s literary work is of much greater significan...
Solid Waste Engineering and Management
This book is the second volume in a three-volume set on Solid Waste Engineering and Management. It focuses on sustainability, single waste stream processing, material recovery, plastic waste, marine litter, sludge disposal, restaurant waste recycling, sanitary landfills, landfill leachate collection, and landfill aftercare as it pertains to solid waste management. The volumes comprehensively discuss various contemporary issues associated with solid waste pollution management, impacts on the environment and vulnerable human populations, and solutions to these problems.
United States Reports
These reports contain the syllabi of cases which were argued before the court in a given term, the opinions of the court, as well as concurring and dissenting opinions.
Competing Discourses
"In the traditional Chinese symbolic vocabulary, the construction of gender was never far from debates about ritual propriety, desire, and even cosmic harmony. Competing Discourses maps the aesthetic and semantic meanings associated with gender in the Ming–Qing vernacular novel through close readings of five long narratives: Marriage Bonds to Awaken the World, Dream of the Red Chamber, A Country Codger’s Words of Exposure, Flowers in the Mirror, and A Tale of Heroic Lovers. Maram Epstein argues that the authors of these novels manipulated gendered terms to achieve structural coherence. These patterns are, however, frequently at odds with other gendered structures in the texts, and authors exploited these conflicts to discuss the problem of orthodox behavior versus the cult of feeling."
