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This book intends to place Nick Clements’ contribution to Feature Theory in a historical and contemporary context and to introduce some of his unpublished manuscripts as well as new work with colleagues collected in this book.
This book intends to place Nick Clements contribution to Feature Theory in a historical and contemporary context and to introduce some of his unpublished manuscripts as well as new work with colleagues collected in this book."
This volume offers a timely reconsideration of the function, content, and origin of phonological features, in a set of papers that is theoretically diverse yet thematically strongly coherent. Most of the papers were originally presented at the International Conference "Where Do Features Come From?" held at the Sorbonne University, Paris, October 4-5, 2007. Several invited papers are included as well. The articles discuss issues concerning the mental status of distinctive features, their role in speech production and perception, the relation they bear to measurable physical properties in the articulatory and acoustic/auditory domains, and their role in language development. Multiple disciplinary perspectives are explored, including those of general linguistics, phonetic and speech sciences, and language acquisition. The larger goal was to address current issues in feature theory and to take a step towards synthesizing recent advances in order to present a current "state of the art" of the field.
The complexity of tone can only be appreciated through phonological patterning that unveils structures beyond differences in pitch heights and contour profiles. Following an introduction on tone's ability to express lexical and grammatical contrasts, Section 2 explains that phonetically, fundamental frequency profiles make for the best descriptors. From these descriptions, Section 3 explains how, through postulations of subatomic entities that comprise tones, a language's tone inventory can be quite symmetrical. In looking at tone's independence from the syllable and segments, Section 4 establishes tone as an autosegment. Sections 5, 6, and 7 go on to discuss a myriad of complexities where tones interact with one another and with other phonological entities. Here, the authors offer a suggestion on how some of these interactions can be captured within the same analytical umbrella. Section 8 then peeks into tone's phonological properties through music and poetry.
This book outlines a system of phonological features that is minimally sufficient to distinguish all consonants and vowels in the languages of the world. The extensive evidence is drawn from datasets with a combined total of about 1000 sound inventories. The interpretation of phonetic transcriptions from different languages is a long-standing problem. In this book, San Duanmu proposes a solution that relies on the notion of contrast: X and Y are different sounds if and only if they contrast in some language. He focuses on a simple procedure to interpret empirical data: for each phonetic dimension, all inventories are searched in order to determine the maximal number of contrasts required. In...
There is a long and rich tradition of excellence in Ghanaian linguistics and the detailed study of Ghanaian languages. This tradition has expanded by leaps and bounds in recent years, thanks in part to a cadre of renowned and highly productive Ghanaian linguists conducting research at universities around the globe, as well as in Ghana itself. So too has the commitment to careful description, documentation, and theorizing underlying this tradition been extended to the students that these scholars have trained. The papers in this volume reflect the vast reach of this research tradition, grounded in but expanding beyond Ghanaian languages, ranging from experimental phonetics, to language description, to political discourse analysis.