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The Further Adventures of Hedda Gabler
THE STORY: Beginning immediately after Henrik Ibsen's classic ends, THE FURTHER ADVENTURES OF HEDDA GABLER finds Hedda mired in an alternative hell: a place where death is only possible when a fictional character is forgotten by the real-life publi
Hedda Gabler
THE STORY: Ibsen's most beguiling antiheroine is given a new twist in Jon Robin Baitz's acclaimed adaptation of HEDDA GABLER: She's no longer the chilly, inscrutable manipulator but a woman with, as the New York Times put it, a context and
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Resolving Hedda
"Henrik Ibsen: Ahead of his time. Father of modern drama. Often considered an early male feminist for confronting the constraints on women in the 19th century. The title character of one of his plays has a bone to pick with him, though. Hedda Gabler has had enough of being strong and uncompromising yet given just one means of independence at the end of her story: by killing herself. So she's been bursting...to try to wrest control of HEDDA GABLER and chart a new course. She's winning audience after audience to her side in Jon Klein's boisterous new comedy RESOLVING HEDDA... One of the pricklier characters in the dramatic canon, Hedda--introduced to the world in 1891--has never had a problem ...
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Imagined Human Beings
One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.
Hedda Gabler and Other Plays
The pillars of the community - The wild duck - Hedda Gabler.
Hedda Gabler
Henrik Ibsen’s 1890 play "Hedda Gabler" is a study of a woman who wants to climb the social ladder. Where another of Ibsen's great female character, Nora from "A Doll's House", had her eyes brutally opened ten years earlier to the hypocrisy of the bourgeoisie and brakes away from her husband and children as a result, Hedda Gabler goes in the opposite direction. She moves into this world knowingly, eyes wide open and free from delusions, with no expectations that a bourgeois lifestyle could make her happy. A choice that will have tragic consequences. The Norwegian playwright and poet Henrik Ibsen (1828-1906) is one of the founders of Modernism in theatre, creating a genre that puts human psychology at the center of the plot, and stories that revolve around a past that is impossible to escape. Ibsen is the second most performed playwright, right after Shakespeare, and is world famous for plays such as "A Doll's House," "Peer Gynt" and "Hedda Gabler." He wrote over a twenty plays, which have gone on to be performed on scenes across the globe.
Seduction and Betrayal
'Hardwick's sentences are burned in my brain.' - Susan Sontag Sidelined. Betrayed. Killed off. Elizabeth Hardwick considers the history of women and literature. She imagines the lives of the Brontes, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the stories of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With her radiant sympathy and wisdom, Hardwick mines their childhoods, marriages, and personalities to probe the costs of sex, love, and marriage. She asks who is the seducer and who the seduced; who the victim and who the victor. Both timely and timeless, these devastatingly stylish essays are nothing less than a reckoning, dissecting relations between the sexes, women and writing, work and life.
