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Thebes in the First Millennium BC
Thebes in the First Millennium BC is a collection of articles, based mostly, but not entirely, on the talks given at the conference of the same name organised by the team of the South Asasif Conservation Project, an Egyptian-American Mission working under the auspices of the Ministry of State for Antiquities, Egypt, in Luxor in 2012. The organisers of the conference and editors of the volume, Elena Pischikova, Julia Budka, and Kenneth Griffin, brought together a group of prominent scholars to share and discuss the results of their recent field research in the tombs and temples of the Twenty-fifth – Twenty-sixth Dynasties in Thebes, Abydos, and Saqqara. This volume assembles current studies...
Ancient Egyptian Clothing
This lavishly illustrated book offers a comprehensive analysis of clothing in Late Period Egypt (750 to 332 BC) by examining works of art and archaeological remains. It includes a detailed classification of clothing for the purpose of dating art.
Final Report
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Africa and Byzantium
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders northern and eastern Africa’s contributions to the development of the premodern world and offers a more complete history of the region as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.
The S S E A Journal
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Hellenizing Art in Ancient Nubia 300 B.C. - AD 250 and its Egyptian Models
Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
Tombs of the South Asasif Necropolis
Thebes (Egypt : Extinct city); history.
The Family of Pa-di-Amun-neb-nesut-tawy from Thebes (TT 414) Revisited
This book identifies a key figure in the family that reused the Saite tomb of Ankh-Hor (TT 414) in the Asasif: Kalutj/Nes-Khonsu. Examining the funerary assemblage revealed not only details of Late Dynastic and Ptolemaic burial customs in Thebes but also additional information on the priesthood of Khonsu and of the sacred baboons in this era.
The Hypocephalus: An Ancient Egyptian Funerary Amulet
The hypocephalus is an element of Late Period and Ptolemaic funerary equipment—an amuletic disc placed under the head of mummies. Its shape emulates the sun’s disc, and its form is planar (although it is occasionally concave). This volume analyses the written records and iconography of these objects.
