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Pensar la revolución
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The Age of Dissent
The Age of Dissent argues that the defining feature of the Age of Revolutions in Latin America was the emergence of dissent as an inescapable component of political life. While contestation and seditious ideas had always been present in the region, never before had local regimes been forced to consider radical dissension as an unavoidable dimension of politics. Focusing on urban Chile between the first anticolonial conspiracy of 1780 and the consolidation of an authoritarian regime in 1833, the book argues that this revolution was caused by how people practiced communication and framed its power.
The Wars Inside Chile's Barracks
A new perspective on Pinochet's repressive regime and its aftermath in Chile, looking at the ambiguous experiences and memories of army draftees who became both criminals and victims in an era of brutality.
The Age of Atlantic Revolution
A bold new account of the Age of Revolution, one of the most complex and vast transformations in human history “A fresh and illuminating framework for understanding our past and imagining our future. Powerfully argued and engagingly written, Patrick Griffin’s timely account of revolutionary regime change and reaction shows how a world of empires became our world of nation-states.”—Peter S. Onuf, coauthor of Most Blessed of the Patriarchs “When we speak of an age of revolution, what do we mean? In this synoptic, compelling book, Patrick Griffin asks the difficult questions and invites readers to reconsider the answers.”—Eliga Gould, author of Among the Powers of the Earth The Ag...
The Baker Who Pretended to Be King of Portugal
The author explores the conspiracy of Gabriel de Espinosa who attempted to pass himself off as the deceased King Sebastian of Portugal sixteen years after his death. Through this the author explores how stories - regarding such topics as prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, etc. - are conceived, told, circulated, and believed.
The Cambridge History of the Age of Atlantic Revolutions: Volume 3, The Iberian Empires
Volume III covers the Iberian Empires and stresses the ethnic dimension of the independent processes in Spanish America and Brazil. An important reference text for historians of the Atlantic World with a keen interest in the Iberian Empires.
Measurement in Public Sector Financial Reporting
Measurement in Public Sector Financial Reporting presents a constructive and thoughtful analysis of possible valuation methodologies for the public sector context and related peculiarities and critical issues.
The Sweet Penance of Music
"This book provides a fresh, comprehensive view of the musical life and its cultural context in Santiago, Chile, from its foundation in 1541 to the end of the colonial period, roughly in 1810. Combining the study of archival documents, secondary sources and music scores, it deals with different aspects of musical life in the cathedral (chap. 1), convents and monasteries (chap. 2), private houses (chap. 3) and public spaces (chap. 4), considering, as well, the life and function of musicians as crucial agents in the music field. Despite its focus on a particular city of Latin America, it raises this issue from a broad perspective that explores its links with other urban centers (especially Lima), within the globalizing framework of the colonial system. The idea of music as a "sweet penance," belonging to a nun harpist in a convent of Santiago at the end of the eighteenth century, gives rise to consider duality as an essential trait of the period and its music"--
Appearances Matter
The visual turn recovers new pasts. With education as its theme, this book seeks to present a body of reflections that questions a certain historicism and renovates historiographical debate about how to conceptualize and use images and artifacts in educational history, in the process presenting new themes and methods for researchers. Images are interrogated as part of regimes of the visible, of a history of visual technologies and visual practices. Considering the socio-material quality of the image, the analysis moves away from the use of images as mere illustrations of written arguments, and takes seriously the question of the life and death of artifacts – that is, their particular historicity. Questioning the visual and material evidence in this way means considering how, when, and in which régime of the visible it has come to be considered as a source, and what this means for the questions contemporary researchers might ask.
Latin American Women Filmmakers
Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps’s insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film.
