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The Modern Moves West
In 1921 Sam Rodia, an Italian laborer and tile setter, started work on an elaborate assemblage in the backyard of his home in Watts, California. The result was an iconic structure now known as the Watts Towers. Rodia created a work that was original, even though the resources available to support his project were virtually nonexistent. Each of his limitations—whether of materials, real estate, finances, or his own education—passed through his creative imagination to become a positive element in his work. In The Modern Moves West, accomplished cultural historian Richard Cándida Smith contends that the Watts Towers provided a model to succeeding California artists that was no longer defin...
Dreams of Development
Dreams of Development explores the relationship between higher education and Colombian national development by tracing the history of one of Colombia's most important institutions of higher education, the National School of Mines (Escuela Nacional de Minas) of Medellin. Murray addresses three questions: How did the Escuela form national elites, including politicians, businesspeople, and technocrats destined to play prominent roles in industry and government after 1900? To what extent have such elites shaped the development process? And finally, how has the Escuela's evolution reflected such changes in Colombian society as the rise of an urban middle sector and more active roles for women seeking the opportunities associated with an engineering degree? Murray's analysis of a single institution makes this book valuable both to Colombianists and to other scholars interested in the development of modern Latin American higher education. It also provides unique insight into the positivistic ideals and values that have shaped Colombian and other Latin American elites and dictated the destiny of their countries.
Guillermo Calles
In 1912, Guillermo Calles (1893-1958) became the first Mexican actor to appear in films made in California. Despite limited resources, he began directing and producing his own movies, and in 1929 pioneered production of Spanish-language sound films. His major works, among them the long-unavailable El indio yaqui and Raza de bronce (both 1927), represented Calles' tireless crusade to restore the image of Mexicans and Indians in an era dominated by Hollywood stereotypes. This biography traces Calles' career from his earliest Hollywood days through the 1950s. Included are the only surviving images of the filmmaker's silent productions, a closing commentary on his intimate circle of relatives, and an appendix featuring two fascinating letters written by Calles during a filming trip.
The Impossible Land
The stories written in and about the Imperial Valley, both romantic and real, are the subject of this unique comparative study of both literature and the land.
CMJ New Music Monthly
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Border Killers
Border Killers delves into how recent Mexican creators have reported, analyzed, distended, and refracted the increasingly violent world of neoliberal Mexico, especially its versions of masculinity. By looking to the insights of artists, writers, and filmmakers, Elizabeth Villalobos offers a path for making sense and critiquing very real border violence in contemporary Mexico. Villalobos focuses on representations of "border killers" in literature, film, and theater. The author develops a metaphor of "maquilization" to describe the mass-production of masculine violence as a result of neoliberalism. The author demonstrates that the killer is an interchangeable cog in a societal factory of viol...
War crimes and politics of terror in Chechnya 1994-2004
The ‘War crimes and politics of terror in Chechnya 1994-2004’ case study describes the constraints, questions and dilemmas experienced by MSF while speaking out during the two Russian-Chechen wars and the following years of ‘normalization’. Was speaking out the right thing to do with regard to Russia, a power with a veto at the UN Security Council and a tradition of propaganda control of the public arena? Was it realistic to rely on raising the awareness of other UN member states via their public’s opinion? In a context of terror, when dealing with a regime in denial of the reality of a conflict, was it useful and was it up to MSF to call for having this situation qualified as ‘w...
Latin American Science Fiction Writers
Many readers are unaware of the vast universe of Latin American science fiction, which has its roots in the 18th century and has flourished to the present day. Because science fiction is part of Latin American popular culture, it reflects cultural and social concerns and comments on contemporary society. While there is a growing body of criticism on Latin American science fiction, most studies treat only a single author or work. This reference offers a broad overview of Latin American science fiction. Included are alphabetically arranged entries on 70 Latin American science fiction writers. While some of these are canonical figures, others have been largely neglected. Since much of science fiction has been written by women, many women writers are profiled. Each entry is prepared by an expert contributor and includes a short biography, a discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism.
