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The Sociology of Art (Routledge Revivals)
First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.
Fervent Freedom Fighters
This anthology brings to light the richness of the pamphleteer tradition in France, between the 16th and 20th centuries. Though satirists and pamphleteers have emerged out of various political backgrounds down through the centuries, what they have in common is irreverence, courage and insubordination to all forms of power. Among them: Blanqui, Bloy, Desmoulins, Libertad, Proudhon, Rivarol, Séverine Vallès and Zo d'Axa. At a time when freedom of expression is increasingly questioned, Daniel Cosculluela wanted to resurrect the fighting spirit of those who acted and wrote, often at the risk of their lives. Many of these fighters for freedom of speech and thought had to flee their countries to avoid prison or assassination. The author wanted to engage in a dialogue with those who live on through our thoughts, dreams and revolts. His choices are personal, but the writers selected have all played a major role in the movement of ideas which inspire, consciously or not, the commitment and the choises of millions of men and women today. Daniel Cosculluela is a psychiatrist and anthropologist, who has collaborated with several media, including the satirical newspaper Hara-kiri.
Faking Literature
Faking Literature, first published in 2001, examines the role of forgery in literature.
The Language of French Symbolism
The traits that characterize the "language" of French Symbolism are the center of these essays. In interpreting major or previously neglected compositions by Mallarmé, Verlaine, Rimbaud, Claudel, Valéry, and Apollinaire, the author shows how each of these poets worked with the elements that distinguish this influential group of writers as a whole. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Marcel Proust
Reissued with a new preface to commemorate the publication of "A la recherche du temps perdu" one hundred years ago, this title portrays in abundant detail the life and times of literary voices of the twentieth century.
Palimpsests
A palimpsest is "a written document, usually on vellum or parchment, that has been written upon several times, often with remnants of erased writing still visible". Originally published in France in 1982, Gerard Genette's PALIMPSESTS examines the manifold relationships a text may have with prior texts on the same document.
