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Artistas plásticos en el Perú
A biographical dictionary of historical and descriptive works of Peruvian plastic artists of the 16th to the 20th centuries. The author was the director of the Galeria de Arte 715 in Lima from 1974-2003. Also includes information of art schools, national award winners. The work for this book was completed in 2002 but not printed until 2009.
Literatura quechua
None
Confesíones de una dama de alcurnia y otras tradiciones virreinales
Relatos que se circunscriben en el género de las tradiciones: historias que incluyen vertientes de la narrativa moderna, rescatando la época virreinal.
Boletín de Lima
None
Quién es quién?
None
Abraham Valdelomar en Cajamarca, 1918
El historiador Espinoza Soriano reconstruye con prolijidad, la visita que realizó Abraham Valdelomar a Cajamarca en 1918. Se pone al descubierto detalles interesantes de la personalidad de Valdelomar y se reproduce los escritos que leyó en aquella oportunidad, así como la información sobre la visita que escribiera la prensa del lugar.
Giger's Tarot. Ediz. Inglese
This collectable group of 22 beautifully designed Tarot cards is available in a handsome boxed set in either German or English language. Each card is a careful reproduction of one of Giger's paintings, and is interpreted by philosopher-magician Akron in a booklet of instructions, included with the set. To Akron Tarot is like an inexhaustible mine of symbols, suited to manifest Giger's aesthetics of apocalypse in literary style. Akron resorts to the tradition of the Tarot in order to convey the messages of Baphomet - a medieval secret symbol -- which is of special significance in Giger's work. H.R. Giger is a painter, Oscar-award winner and cult figure of an international artistic community, for which his aesthetics of the apocalypse represent inspiration and spiritual healing. His pictures are gripping, indeed sometimes shocking visions - they shake us from our unconsciousness as they relentlessly point to the hidden inner world of all things. The art of Giger is a journey to the most ancient destination of mankind: to birth and death, love and war, hope and the destruction of life.
Creative Practices for Visual Artists
Contrary to popular belief, the practice of art isn’t just a product of innate talent or artistic vision; artwork emerges from an intentionally constructed and maintained artistic practice. Developed from interviews with more than 75 mid-career artists, Creative Practices for Visual Artists examines the methods and approaches highly successful artists use to stay creatively robust for a lifetime. Offering practical strategies and concrete solutions, it also looks at the impacts of digital and social media, as well as recent changes in the educational system that can hinder the formation of a strong artistic practice. Artist and educator Kenneth Steinbach addresses key issues such as: the role of embodied research and non-objective experimentation; reframing one's approach to studio time; forms of productive conflict; the positive role of anxiety; and the importance of failure for the artist. The book will be useful to students and emerging artists, the instructors that teach them, and established artists looking to develop stronger studio habits. The companion website, www.creativepracticesbook.com, provides links to artists' websites and further information.
