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The first Nobel Prize in literature to be awarded to a Latin American writer went to the Chilean poet Gabriela Mistral. Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalized into a "poetess" of children and motherhood. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, ...
Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English. She deserves better, particularly as the first Latin American recipient of the Nobel Prize for Literature (1945), and this selection of her poetry is designed to introduce her to an English-speaking public. Born Lucila Godoy Alcayaga in the Elqui valley in the 'little north' of Chile, she became a schoolteacher at the age of fifteen and went on to become an educator of international renown, an architect of educational reform in Mexico, and a cultural administrator at the League of Natio...
Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English.
The Nobel Prize–winning poet Gabriela Mistral is celebrated by her native Chile as the “mother of the nation” even though she spent most of her life in Mexico, Europe, and the United States. Throughout the Spanish-speaking world and especially in Chile, Mistral was characterized as a sad, traditionally Catholic spinster. Yet her voluminous correspondence with Doris Dana, long believed to be her secretary, reveals that the two women were lovers from 1948 until Mistral’s death in 1957. These letters, published in Spanish in 2010 and now translated for the first time into English, provide insight into her work as a poet and illuminate her perspectives on politics, especially war and human rights. The correspondence also sheds light on the poet’s personal life and corrects the long-standing misperceptions of her as a lonely, single, heterosexual woman.
A schoolteacher whose poetry catapulted her to early fame in her native Chile and an international diplomat whose boundary-defying sexuality still challenges scholars, Gabriela Mistral (1889–1957) is one of the most important and enigmatic figures in Latin American literature of the last century. The Locas mujeres poems collected here are among Mistral’s most complex and compelling, exploring facets of the self in extremis—poems marked by the wound of blazing catastrophe and its aftermath of mourning. From disquieting humor to balladlike lyricism to folkloric wisdom, these pieces enact a tragic sense of life, depicting “madwomen” who are anything but mad. Strong and intensely human, Mistral’s poetic women confront impossible situations to which no sane response exists. This groundbreaking collection presents poems from Mistral’s final published volume as well as new editions of posthumous work, featuring the first English-language appearance of many essential poems. Madwomen promises to reveal a profound poet to a new generation of Anglophone readers while reacquainting Spanish readers with a stranger, more complicated “madwoman” than most have ever known.
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Chilean poet, educator, diplomat, and feminist Gabriela Mistral (1889-1957) rose from poverty in the foothills of the Andes to become the first Latin American to win the Nobel Prize in Literature in 1945. This volume provides both a detailed biography of the author and a careful analysis of her writing. Chronicling the personal, psychological, and social currents of Mistral's life and times, it addresses such topics as her finances, illness, and sexuality. Literary analysis considers the sacred and secular influences on Mistral's oevre, including Catholicism, the Hebraic tradition, Theosophy, and Buddhism. By recounting Mistral's intelligence and perseverance in overcoming her life's obstacles to reach the pinnacle of her field, this book establishes her as a model for Chileans and for humanity.
Gabriela Mistral, a teacher, poet, and the first Latina woman to win the Nobel Prize.