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Kidding Around: The Child in Film and Media is a collection of essays generated by a conference of the same title held at the University of the District of Columbia. The works gathered examine a variety of children's media, including texts produced for children (e.g., children's books, cartoons, animated films) as well as texts about children(e.g., feature-length films, literature, playground architecture, parenting guides). The primary goal of Kidding Around is to analyze and contextualize contested representations of childhood and children in various twentieth- and twenty-first-century media while accounting for the politics of these narratives. Each of the essays gathered offers a critica...
Twelve scholars present cutting-edge research from the emerging field of Satanism studies. The topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments within the Satanic milieu in recent decades. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.
The notion of woman as the Devil's accomplice is prominent throughout Christian history and was used to legitimise the subordination of wives and daughters. In the 19th century, rebellious females performed counter-readings of this misogynist tradition and Lucifer was reconceptualised as a feminist liberator. Per Faxneld shows how this surprising Satanic feminism was expressed in a wide range of 19th-century texts and artistic productions
Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motif...
This volume was first published by Inter-Disciplinary Press in 2013. The chapters within this volume expose a need to discuss and challenge both the practise of evil and the judgement of acts and persons as being ‘evil.’ The reader will find a diverse and intriguing selection of representative texts and themes, including: discussions of the monstrous, the consideration of evil objects, a reading of the wicked language of lying and ‘bullshitting’, and investigations of madness. A range of literature from medieval to contemporary texts, including poetry, novels, television and cinema, are considered and analysed through cultural and historical contexts in the hopes to extend the discussion that intrigues many of us: what is evil?
This picaresque story, set in modern-day Prague, is an "invariably lively, often funny" (Washington Post) portrait of a nation in transition, a stylish combination of political allegory and whodunit. Translated by Neil Bermel. Harvest in Translation series
Evil. Women. The Feminine. The relationships that bring together these three ideas form the basis for the papers gathered together in this volume. By asking how, why, when, and to what purpose these three terms are often linked serves as the starting point of interrogation for each of the authors here considered.
This volume was first published by Inter-Disciplinary Press in 2013. The present volume offers inter-disciplinary discussions on the interconnectedness of concepts such as evil and femininity. The authors comment on issues such as abjection, murder, gender stereotypes, revenge, menstruation and demonisation of women across cultures and historical periods.
Through literature, sociology, and media, the texts included here question the ways in which the feminine has been depicted as evil when it doesn't coincide with patriarchal norms. More often than not, the authors included here uncover the way in which women's behaviour is often coded as unfeminine or as unruly when it contests social stricture.