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Introduction to Reparation for Secondary Schools
No study of Caribbean history can becomplete without an examination and appreciation of the topic of reparation.The opposition to reparation by former colonial powers and others, though,means that the demand for it is an ongoing struggle. Reparation, however, isthe final link required to close the circle which began with two of the worstcrimes in human history (indigenous genocide and chattel slavery) and must endwith atonement and restitution by the perpetrators on the one hand, andredemption for the descendants of the victims on the other. Otherwise, therecan be no true peace. As reggae singer Peter Tosh declared, "Everyone is cryingout for peace, no one is crying out for justice. . . . I need equal rights andjustice."
The Life and Times of Emile Zola
Controversy surrounded Zola during his life-time, and controversy has followed him ever since. No other French writer was so violently attacked by contemporaries, none had a more devoted following. This high priest of Naturalism scandalized France by the frankness of his treatment of the seamier side of human nature and electrified the whole of Europe and America by his denunciation of the military establishment of his country over the Dreyfus case. His reputation has remained in dispute ever since his mysterious death in 1902, some critics arguing his work's consistently high and original literary quality, others its undue reliance on cheap sensationalism. This biography, which at was the f...
Lucille Mathurin Mair
Lucille Mathurin Mair (née Walrond) made a mammoth contribution to women in Jamaica and across the world. In this biography, Verene Shepherd traces Mair's evolving ideology through her roles as professional historian, wife, mother, mentor, diplomat, national and international civil servant, legislator, and women's rights activist. Mair's tireless commitment to the principles of justice and equality for women guided her work and she particularly sought to centre women of the Global South in the development agenda. The accounts of Mair's myriad and often uncredited contributions at the University of the West Indies, the United Nations, and as a senator in the Government of Jamaica are enhanced by previously unpublished extracts from her notes and personal papers and interviews with her friends and colleagues. Shepherd weaves these sources together to give us a thought-provoking study of the evolution of a rebel woman.
The Moving Pen 2021
The Moving Pen 2021 is a selection of short stories and flash fiction from five of the authors within the writing collective called The Moving Pen. There are 53 stories in a wide range of genres - romance, horror, drama, crime, humour, fantasy etc.
French Twentieth Bibliography
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Marlene
In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich’s Paris apartment. The star’s career was all but over, but she agreed to meet because Chandler hadn’t known Dietrich earlier, “when I was young and very beautiful.” Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich’s life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress...
Reading Critics Reading
This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treat the journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses; they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.
