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Truth
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Seventy Years of Issues
Short-listed for the 2002 Award for Excellence in Historical Recorded Sound Research In the seventy years since 1931, various organizations large and small, including several semi-private ones, have issued or re-issued various original 78 rpm recordings from original metal plates. No comprehensive listing of these has ever before appeared; this is the first, and gathers together all the various information of ongoing interest. This is a most important addition to the record-collecting bibliography.
Erringby
Kit is waiting expectantly for life to begin. Orphaned as a young child, he recoils from his adoptive parents’ mundane existence, drawn instead to the bohemian world of his Uncle Col and Col’s charismatic wife Marianne. Amid the permissive atmosphere of Erringby, Marianne’s rambling family mansion, Kit becomes increasingly obsessed with his aunt. One debauched summer, the eighteen-year-old Kit wakes to find himself in bed with Marianne. But what happened? And who is his sudden mysterious benefactor? As Kit grapples with the ramifications of that night, he, Marianne and Col find their lives spiralling out of control. Unfolding against the changing cultural landscape of the seventies, eighties and nineties, Erringby is a captivating coming-of-age novel with echoes of Great Expectations.
Meyerbeer’s Le Prophète
For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee’s Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustrate the manner in which audiences and critics constructed ‘meanings’ with reference to their...
Geraldine Farrar
From 1906 until 1922, Geraldine Farrar was the Metropolitan Opera's most popular and glamorous prima donna. Convinced that music must always serve the drama, she often sacrificed tonal beauty to dramatic effect, and her acting was noted for its intensity and realism. Nevertheless, Farrar was a superb singer, possessing a beautiful lyric soprano voice. Farrar was also a star of the silent screen, appearing in 14 films from 1915 to 1920. In retirement, she was mentor and friend to the African American soprano Camilla Williams, enabling Williams to become the first African American to have a regular contract with a major American opera company. This biography and critical analysis of Farrar's career provides a detailed account of her major contributions to the history of opera.
L'Artiste
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Guide musical
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