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Light on Fire
"A groundbreaking biography of Sam Francis, one of the celebrated artists of the twentieth century, and the American painter who brought the vocabulary of abstract expressionism to Paris. Drawing on exclusive interviews and private correspondence, Gabrielle Selz traces the complex life of this magnetic, globe-trotting artist who first learned to paint as a former air-corps pilot encased in a full-body cast for three years. Selz writes an intimate portrait of a mesmerizing character, a man who sought to resolve in art the contradictions he couldn't resolve in life"--
Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction
"Weaving her family narrative into the larger story of twentieth-century art and culture, Selz paints [a] ... portrait of her charismatic father--the chief curator of painting and sculpture at the Museum of Modern Art and director of his own art museum in California]-- ... the generation of modern artists he championed, and the daughter whose life he shaped"--Dust jacket flap.
Peter Selz
This biography traces the life of modern art historian Peter Selz.
One Place after Another
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of s...
The Space of Effusion
One of the twentieth century's leading abstract expressionists, Sam Francis (1923-94) was one of the few visual artists who traversed the globe multiple times during the 1950s and 1960s, becoming one of the first postwar American painters to develop a truly international reputation. Francis's engagement with the world and his fascination and involvement with different cultures, in particular that of Japan, is explored in this compelling volume, published in conjunction with the exhibition Sam Francis and Japan: Emptiness Overflowing at the Los Angeles County Museum of Art. Richard Speer, a co-curator of the exhibition, offers astute insights into the visual, technical, and philosophical affi...
Telematic Embrace
Annotation Telematic Embrace combines a provocative collection of writings from 1964 to the present by the preeminent artist and art theoretician Roy Ascott, with a critical essay by Edward Shanken that situates Ascott's work within a history of ideas in art, technology, and philosophy.
Image Encounters
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the auth...
A River Could Be a Tree
How does a woman who grew up in rural Indiana as a fundamentalist Christian end up a practicing Jew in New York? Angela Himsel was raised in a German-American family, one of eleven children who shared a single bathroom in their rented ramshackle farmhouse in Indiana. The Himsels followed an evangelical branch of Christianity—the Worldwide Church of God—which espoused a doomsday philosophy. Only faith in Jesus, the Bible, significant tithing, and the church's leader could save them from the evils of American culture—divorce, television, makeup, and even medicine. From the time she was a young girl, Himsel believed that the Bible was the guidebook to being saved, and only strict adherenc...
Passages in Modern Sculpture
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Women in the Piast Dynasty
This book analyses the role of women in the Polish Piast dynasty from c. 965 to c.1144. It discusses gender expectations and the literary topoi employed to describe rulers’ wives and daughters as well as showing their importance in religious donations, the creation of dynastic memory, and naming patterns, as well as examining Piast women’s involvement in female monasticism. Pac takes a comparative approach to these themes, analysing Polish sources alongside sources from other areas of early and high medieval Europe.
