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A lyrical and engrossing tale about families and about love, and the pleasure and pain both bring.
Sophie reads tarot and takes photos. Her mother is an ambitious publisher, willing to nuture authors but not her daughter. Sophie sets out to find her father - an author. From London's literary scene to New York, this is a wild, sharp, contemporary novel.
The long-awaited new novel from the award-winning author of The Grass Sister tells the story of two generations of the Nancarrow family and the high-jumping horse circuit prior to the Second World War. A love story of impossible beauty and sadness, it is
The book shows a complete picture of the controversy on that aspect of religion, and challenges the reader to judge for themselves.Interest in Buddhism has exploded in the last couple of decades, and millions of people around the world view Tibetan Buddhism as the religion's most pure and authentic form. Yet, a political conflict among Tibetan lamas themselves is now poised to tear the Tibetan Buddhist world apart and threaten the ntegrity of its thousand-year old teachings. On August 2, 1993, Rumtek monastery was attacked. Its monks were expelled and the cloister was turned over to supporters of a boy-lamas appointed by the Chinese government. But Rumtek was not in China, and its attackers were not Communist troops. Rumtek was in India, the refuge for most exiled Tibetans. And it was Tibetan lamas and monks themselves who led the siege. Yet, evidence shows that Chinese agents directly supported Tibetan lamas and monks who attacked Rumtek monastery. While a complete picture of this controversy has been blurred by the media's focus on international Buddhist celebrities, Buddha's Not Smiling challengers Readers to Judge for themselves the health of Tibetan Buddhism today
With more than a million followers worldwide and at least 50,000 in the United States, the 17th Karmapa is one of Tibetan Buddhism’s most senior lamas. His dramatic escape from Tibet and his spiritual presence have made him an instant celebrity, and Elle magazine recently named him one of its "25 people to watch." The Future is Now, which pairs contemporary photography with 108 sayings on how to live more compassionately and consciously, is the Karmapa’s first mainstream work. In it, he offers advice on such universal and personal themes as social values, the environment, freedom, responsibility, loneliness, and contentment. Fresh, bold, timely photos and straightforward text make the ancient teachings of Buddhism accessible to everyone. Earlier this year, the Karmapa made his first trip to the West speaking to large crowds in New York, Boulder, and Seattle. It’s been reported that the venues sold out based almost solely on the strength of e-mail chains. His visit generated an enormous amount of publicity including two New York Times items, a piece in Time magazine, an interview on the PBS program "Religion & Ethics News Weekly," and coverage in major Buddhist magazines.
Can the economy of a region go from miracle to meltdown in a few short months? As he traces the dramatic events of late 1997 into 1998, Robert Garran uses firsthand knowledge of Asia and its economics to demonstrate that the miracle was in many ways a myth.
Longlisted for the 2023 Indie Book Awards. Excitable girls rush out to meet life; what could go wrong? A masterful debut about the terrifying thrills of innocence from a voice of experience. Teenagers sneak out to the creek for a wild New Year's Eve party. A sleep-deprived woman who imagines she is pregnant to a Viking faces her scathing sixteen-year-old self. A woman in love wakes up in a van Gogh painting. These gem-like stories are about the desire to rush out and meet life; about getting in over your head; about danger, and damage, and what it means to survive – and not always survive – the risk of being young. They chart the borderlands between girls and women, daughters and mothers...
In the tradition of Wild and Tracks, one woman's story of how she left the city and found her soul. Disillusioned and burnt out by her job, Claire Dunn quits a comfortable life to spend a year off the grid in a wilderness survival program. Her new forest home swings between ally and enemy as reality – and the rain – sets in. Claire's adventure unfolds over four seasons and in the essential order of survival: shelter, water, fire and food. She arrives in summer, buoyant with idealism, and is initially confronted with physical challenges: building a shelter, escaping the vicious insects and making fire without matches. By winter, however, her emotional landscape has become the toughest ter...
In an age driven by desire, what happens when you want two different things? Set in the pristine, precarious world of MoMA, The Modern is a brilliantly wry and insightful debut about art, sexuality, commitment and whether being on the right path can lead to the wrong place. Things seem to be working out for Sophia in New York: having come from Australia to be at the centre of modernity, she’s working at the Museum of Modern Art, living in a great apartment with a boyfriend interviewing for Ivy League teaching positions. They’re smart, serious, dine in the right restaurants and have (a little unexpectedly) become engaged just before he leaves to hike the Appalachian Trail. Alone in the ci...
Images of 'the beach' pervade Australian popular culture. However the deeper significance of the experience of 'the beach', and its influence on Australian culture generally, have not yet been seriously explored. How, why and when did the beach become part of the Australian way of life? In Sand in our Souls Leone Huntsman describes the forces and pressures that encouraged or impeded Australians' enjoyment of sand and surf, from early enjoyment of bathing, through nearly a century of repressive restrictions, to freedom won in the face of drawn-out opposition. The ways in which artists, writers, film-makers and the advertising industry have depicted the beach are examined for the light they throw on the beach's significance. She traces the development of a distinctively Australian way-of-being-at-the-beach, suggesting that the beach experience has been absorbed into our emerging culture and continues to shape it in subtle ways. Huntsman's provocative arguments will stimulate debate on the concept of 'national identity' appropriate for a new Australian century, and promote a deeper understanding of an aspect of life in Australia that is cherished by many of those who live here.