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The Scramble for Art in Central Africa
Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models.
The academy
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Casualty of Empire
Cedric Pulford tells of the experiences of Bunyoro, now part of Uganda, vis a vis colonialism from the 19th century to independence in 1962, using both contemporary and modern sources.
The Critic
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The Book Buyer
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African Exploits
Born and raised in Halifax, Nova Scotia, Stairs (1863-1892) attended the Royal Military College in Kingston before being commissioned in the British army. Wearied of peacetime soldiering, he volunteered in 1887 to participate in Sir Henry M. Stanley's final trans-African expedition to rescue Emin Pasha, the last of "Chinese" Gordon's lieutenants in the Sudan. The expedition emerged almost three years later in Zanzibar, a reluctant Pasha in tow, having left a trail of havoc and suffering behind it. Stairs promptly volunteered for a second expedition in Africa to secure Katanga for King Leopold II of the Belgians as part of the controversial Congo Free State. Stairs was a cruel leader, condoni...
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