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Recounts the story of the Horne family spanning eight generations and describing America's developing black middle class by Lena Horne's daughter.
“A history cum memoir by Lena Horne’s daughter tells the story of her forebears . . . eloquently conveys . . . how politics and prejudice can shape a family.” —The New Yorker In The Black Calhouns, Gail Lumet Buckley—daughter of actress Lena Horne—delves deep into her family history, detailing the experiences of an extraordinary African American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in post-war Atlanta, Buckley follows her family’s two branches: one that stayed in the South, and the other that settled in Brooklyn. Through the l...
They fought on Lexington Green the first morning of the Revolution and survived the bitter cold winter at Valley Forge. They stormed San Juan Hill with Theodore Roosevelt’s Rough Riders and manned an anti-aircraft gun at Pearl Harbor. They are the black Americans who fought, often in foreign lands, for freedoms that they did not enjoy at home. Adapted for young readers, this dramatic story brings to life the heroism of people such as Crispus Attucks, Benjamin O. Davis, Charity Adams, and Colin Powell, and captures the spirit that drove these Americans to better their lives and demand of themselves the highest form of sacrifice.
An inspired, intimate history of musical legend Lena Horne and her family, written by Lena's daughter, Gail Lumet Buckley. More than a loving biography of a true show business legend, Lumet Buckley traces Lena's, as well as her own, roots as the latest in a long family line of America's Black elite.
At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 2001 Academy Awards, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne," as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne h...
When Emmett Till was murdered aged fourteen for allegedly whistling at a white woman, photographs of his destroyed face became a flashpoint in the civil rights movement. A decade earlier Emmett’s father, Louis, had also been killed – court-martialled and hanged. Though the circumstances could hardly have been more different, behind both deaths stood the same crime, of being black. In Writing to Save a Life, John Edgar Wideman, born the same year as Emmett Till, investigates the tragic fates of father and son. Mixing research, memoir and imagination, this book is an essential commentary on racism in America – illuminating, humane and profound.
Winner of the Benjamin L. Hooks National Book Award Winnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that th...
Foreword / Lonnie G. Bunch III -- Pride in service -- Heroes and trailblazers -- Photographs