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Shapely Bodies
Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.
1979-1990
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Performing China
The fascinating premise of this study is that the Chinese influenced English concepts of virtue in the 18th century. Through analysis of plays, fiction, and a lecture tour (by an imposter pretending to be a converted heathen), Yang (English, U. of Pennsylvania) examines the interpretation of China's history, ethic, and cultural accomplishments in English culture and thought. Impressive in the range of examples of English, European, and Chinese writing and culture, the study defines English notions of non-European peoples and culture as well as its concept of China's, making this work of interest to a broad readership. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com).
More Letters from the American Farmer
This is a critical edition of the essays that J. Hector St. John de Crèvecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Cre...
Visionary States
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The Art of the English Trade Gun in North America
Symbolic ornamentation inspired by ancient Greek and Roman art is a long-standing Western tradition. The author explores the designs of 18th century English gunsmiths who engraved classical ornamental patterns on firearms gifted or traded to American Indians. A system of allegory is found that symbolized the Americas of the New World in general, and that enshrined the American Indian peoples as "noble savages." The same allegorical context was drawn upon for symbols of national liberty in the early American republic. Inadvertently, many of the symbolic designs used on the trade guns strongly resonated with several Native American spiritual traditions.
The Chinese Taste in Eighteenth-Century England
Eighteenth-century consumers in Britain, living in an increasingly globalized world, were infatuated with exotic Chinese and Chinese-styled goods, art and decorative objects. However, they were also often troubled by the alien aesthetic sensibility these goods embodied. This ambivalence figures centrally in the period's experience of China and of contact with foreign countries and cultures more generally. David Porter analyzes the processes by which Chinese aesthetic ideas were assimilated within English culture. Through case studies of individual figures, including William Hogarth and Horace Walpole, and broader reflections on cross-cultural interaction, Porter's readings develop new interpretations of eighteenth-century ideas of luxury, consumption, gender, taste and aesthetic nationalism. Illustrated with many examples of Chinese and Chinese-inspired objects and art, this is a major contribution to eighteenth-century cultural history and to the history of contact and exchange between China and the West.
The Cultural Aesthetics of Eighteenth-Century Porcelain
During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within whi...
Harrison Birtwistle's Operas and Music Theatre
David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards.
