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Explores representations of Joan of Arc in English culture from 1429 until the early nineteenth century, examining the factors that shaped retellings of her military successes and execution.
Explores representations of Joan of Arc in English culture from 1429 until the early nineteenth century, examining the factors that shaped retellings of her military successes and execution.
In a series of essays readers will find information about modern scholarship on the subject of chivalry and various suggestions for ways to teach some familiar and unfamiliar chivalric materials. Short bibliographies are provided for teachers' further use.
Experiencing the phases of childhood through art
These papers explore major themes in recent scholarship on the medieval crusade and its religious, political and cultural context, re-evaluating the issue of "were the Templars guilty?" and suggesting their problem was one of organisation; one study looks at the impact and effect of the crusade on Jewish-Christian relations, another at crusaders and their interaction with indigenous Christians in the county of Edessa as a case study of developments in other crusader states; and there are papers on Peter the Hermit, on the political and religious context and impact of the Fourth Crusade, on the influence of the crusade on Piers Plowman, and on the political context for the failure of crusading ideals in fifteenth-century Burgundy. Contributors ALFRED ANDREA, ROBERT CHAZAN, KELLY DEVRIES, CHRISTOPHER McEVITT, THOMAS MADDEN, JONATHAN RILEY-SMITH, WILLIAM E. ROGERS, JAY RUBINSTEIN SUSAN J. RIDYARD is Professor of History, University of the South.
In this book, Gail Orgelfinger examines the ways in which English historians and illustrators depicted Joan of Arc over a period of four hundred years, from her capture in 1429 to the early nineteenth century. The variety of epithets attached to Joan of Arc—from “witch” and “Medean virago” to “missioned Maid” and “shepherd’s child”—attests to England’s complicated relationship with the saint. While portrayals of Joan in English popular culture evolved over the centuries, they do not follow a straightforward trajectory from vituperation to adulation. Focusing primarily on descriptions of Joan’s captivity, trial, and execution, this study shows how the exigencies of p...
In 1518, Wynkyn de Worde, Caxton’s successor as book publisher in London, issued a translation by Henry Watson of the Franco-Burgundian romance L'Istoire d'olivier de castille. The romance had already enjoyed great popularity on the Continent, having been printed first in French in 1482, in Spanish in 1499, in Flemish c. 1510 and in German in 1521.^ An Italian edition would follow in 1552. And another English version, this time translated from the Italian, appeared in 1695. Here an English translated version.
This collection of original essays presents new scholarship on nearly three dozen feature-length films, including silent films, animated films, films in black and white, and films in technicolor, along with other, shorter examples of cinematic medievalism. Written by contributors from around the globe with a wide variety of backgrounds, the essays in this volume take a critical approach to one of the most popular forms of medivalism. This book presents a full century of cinematic depictions of the Middle Ages, with new examinations of works such as The Seventh Seal, God's Fool, La Passion de Jeanne d'Arc, Saladin the Victorious, Dante's Inferno: An Animated Epic, and A Knight's Tale, among others.
A wide-ranging collection on one of the most interesting features of medieval romance.
Sexual compatibility between male and female partners is in dispensable to normal and successful fertilization in mammals. Thus, the genes from males and females whose sexual behavior is characterized by awkwardness, ineptness, and miscues are elimi nated from the gene pool of the species. In human societies, this compatibility is not always evident; and the behavior that precedes and accompanies copulation and fertilization is exceed ingly complex and affected by many variables. As in most other species of animals, the entire repertoire of reproductive behavior of man is not well understood by man. When viewed, discussed, or reported, the topic is too often and most unfortunately regarded a...