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In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent seventies of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.
This collection of essays examines the varied and influential work of Montreal writer Gail Scott, the feminist and experimental writer who placed Quebec women's writing on the map. Whether working as a bilingual journalist covering political and cultural events in 1970s Quebec, an anglophone writing with the many languages of Montreal in her ears, or a queer writer whose work with "new narrative" links her with writers across the United States, Scott transforms the spaces between communities into spaces of cultural and intellectual possibility. These essays explore her novels, essays, and short stories, which engage a range of issues central to contemporary thought including: the porosity of...
Permanent Revolution traces Gail Scott's seminal investigation of prose experiment to the present, including a recreation of the iconic Spaces Like Stairs, in a collection relating the matter of writing in sentences to ongoing social upheaval. "Where there is no emergency there is likely no real experiment," she writes. In conversation with other writers across the continent identified with current queer/feminist avant-garde trajectories, including l'écriture-au féminin moment in Québec, and queer continental new narrative, Permanent Revolution is an evolutionary snapshot of contemporaneous Fe-male ground-breaking prose fiction. "A writer may do as she pleases with her epoch. Except ignore it," said Scott. With Permanent Revolution, the writer interrogates her era, twice. Belonging in the canon alongside Maggie Nelson, Lydia Davis and Renee Gladman, Gail Scott is an important feminist thinker of our time.
A Canadian woman keeps an extraordinary journal of her time in a Parisian studio.
A welfare cheque floats down the river, a cowboy spreads the Word of the Lord and crotches tick like clocks: the world of Spare Parts is unpredictable, evocative and vividly distorted. Its initial appearance, in 1981, caused a stir; at a time when linear narrative was the m.o. of feminist writing, Gail Scott had the nerve to fracture and dislocate her stories and her language. Spare Parts is as vital as it was twenty years ago. Scott's densely textured tales about the world of growing up female in a small town, where violence lurks just beneath the skin, recreate the uncertainty of life. Their incantatory language and tough imagery are as relevant and crucial now as they were then. This edition adds two new pieces, including 'Bottoms Up', an essay on narrative which first appeared on the 'Narrativity' website Scott co-edits.
A haunting new novel from the author of My Paris
What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly an...
The wife of Martin Luther King Jr., Coretta Scott King was a civil rights leader in her own right, playing a prominent role in the African American struggle for racial equality in the 1960s. Here's a gripping portrait of a smart, remarkable woman. Growing up in Alabama, Coretta Scott King graduated valedictorian from her high school before becoming one of the first African American students at Antioch College in Ohio. It was there that she became politically active, joining the local chapter of the National Association for the Advancement of Colored People (NAACP). After her marriage to Martin Luther King Jr., Coretta took part in the Civil Rights Movement. Following her husband's assassination in 1968, she assumed leadership of the movement. Later in life she was an advocate for the Women's Rights Movement, LGBT rights, and she worked to end apartheid in South Africa.
E. AmbroseWebster (1869-1935) is among the earliestand most accomplished American modernists. Hepainted rhapsodic landscape compositions of blazingsunlight and explosive color, which even today arestartling for their innovation.
Includes the essays that intersect a decade of remarkable flowering of feminist, post-modern writing in Quebec - a decade where the ethical function of the text has been underscored in a writing practice greatly concerned with deciphering the effects of social constructs in language.