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Calder/Miró
The sculptor Alexander Calder (1898-1976) and the painter Joan Miró (1893-1983) first met in Paris in 1928 and became life-long friends. This original and visually stunning book places the mobile sculptures of Calder alongside the poetical paintings of Miró and provides fresh insights into the visual dialogue between these two artists. What did the painter see in the sculptor? What did the sculptor see in the painter? These questions are answered through an extensive examination of the exchange of artwork and correspondence between the two artists, maintained across two continents and through the turmoil of war.
The Maeght Family
This is the first and only book to tell the story of the extremely strong friendships that have linked one remarkable family to literally hundreds of contemporary artists. Miro, Chagall, Mariss, Breton and Duchamp, these are just some of the legendary artists associated with the Maeght family. The original Maeght Gallery was opened in Paris in 1946, today, the Adrien Maeght Gallery is just streets away. The family started its own publishing business, producing catalogues of today's best known artists, but its best legacy is the Aime and Marguerite Maeght Foundation. This museum in the South of France houses some of the greatest masterpieces of 20th Century art and is an architectural marvel in its own right. Told with an authenticity and in-depth knowledge, here is the story of this unique landmark of modern art. The key moments in the family's life are illustrated with over 300 documents that enhance the text's chronology.
Mir¢ Lithographs
Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.
Miró's Posters
"A poster produced by the great artist fulfils the purpose of making known or proclaiming an event, but at the same time, it is a Miro and must be recognized as such. Here we have a collection of the posters produced by Joan Miro over a period of more than seventy years, with a very complete catalogue, by Gloria Picazo". -Inside flap.
Miró
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Henri Cartier-Bresson and Alberto Giacometti
Henri Cartier-Bresson and Alberto Giacometti became friends in the mid-1930s in Paris. Both were seeking a way out of Surrealism that would lead their back to reality. Giacometti returned to life studies; Cartier-Bresson exchanged his brush for a camera. The content of this volume revolves around the many mutual resonances in the work of these two great artists. The book opens with photographs of Giacometti taken by Cartier-Bresson over a period of three decades. The inner workings of the artists' friendship is illuminated by a comparison between their respective work as draughtsmen, their search for the "decisive moment," and the question of how the photographs of one and the paintings and ...
Contemporary Artists: L-Z
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.
Wifredo Lam
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Displaying the Marvelous
How the exhibition spaces of Surrealism anticipated installation art.
