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We Represent Ourselves to the World
This distinctive book centers around an installation by Stephen Prina as a frame within which to explore themes vital to its making, including artistic production, site-specificity, curatorial practice, photography, architecture, and institutional critique. This multi-layered work is reevaluated by the curator, Jenelle Porter. She begins with Prina's single-image documentation of the 16-year exhibition schedule at the Heitzler Gallery (1975-1991). This final set of 163 photographs was then installed in the Heitzler Gallery, along with assorted elements as part of Prina's complete exhibition. Essays by James Meyer and Wilhelm Schurmann.
Ida Tursic & Wilfried Mille
Celebrating the freedom of painting, this book collects Tursic & Mille's recent forays into both abstract and figurative subjects In this survey of work since 2012, France-based artist duo Ida Tursic & Wilfried Mille (both born 1974) presents painting as a medium of freedom--figurative subjects such as portraits, landscapes, vintage porno and pets are balanced against or covered with colorful abstractions to rival the image overload of digital media.
Louise Bonnet
On the joyfully cartoon-like and formally masterful paintings of Louise Bonnet Treading a fine line between beauty and ugliness, the paintings of Swiss-born, Los Angeles-based artist Louise Bonnet (born 1970) feature voluptuous torsos and bulbous extremities, odd-looking noses, nipples and wig-like clusters of mostly blonde hair. With her eclectic approach to the figure, Bonnet challenges ideas of identity and representation.
Remember Everything
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Bridget Riley: The Stripe Paintings 1961-2014
Published on the occasion of Bridget Riley’s major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif. Riley has devoted her practice to actively engaging viewers through elementary shapes such as lines, circles, curves, and squares, creating visual experiences that at times trigger optical sensations of vibration and movement. The London show, her most extensive presentation in the city since her 2003 retrospective at Tate Britain, explored the stunning visu...
Bridget Riley: Measure for Measure
For her 2017 exhibition at Galerie Max Hetzler in Paris, Bridget Riley (born 1931) installed eight canvases and two wall works--all part of her Disc Paintings series (2016-2017), in which colored discs are arranged in a diagonal grid, their palette--off-green, off-violet and off-orange--inspired by Seurat.
Bridget Riley
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Letters to Camondo
From the author of the bestselling phenomenon The Hare with Amber Eyes As you may have guessed by now, I am not in your house by accident. I know your street rather well. The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 'Illuminating... A wonderful tribute to a family and to an idea' Guardian 'Letters to Camondo immerses you in another age... Dazzling' Financial Times
Bridget Riley
Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.
True Stories
As the Cold War drew toward its tumultuous close, such artists in the U.S. and Germany as Isa Genzken, FZlix Gonz+lez-Torres, Mike Kelley, Martin Kippenberger, Jeff Koons, Zoe Leonard, Albert Oehlen, Richard Prince, Julian Schnabel, Cindy Sherman, and Christopher Wool responded in ways direct and indirect to the shifting order happening under their feet.their feet.
