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New Objectivity
Drawing on new research from local archives as well as reinterpretations of published literature,Power and the Peopledescribes how England remained governable between 1525 and 1640, despite the wars, famine, epidemics, and dynastic and religious crises of the period. The book surveys the mechanisms of authority at various levels, from the street and alehouse to the manor and the royal court. Maintaining order was a difficult challenge, given that England had no standing army or professional police, and Alison Wall investigates everything from the roles of village constables to the social cohesiveness that came from civic celebrations and participatory politics. Her book provides students with a rich perspective on the social world and political culture of early modern England.
New Perspectives on Br?cke Expressionism
New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and ...
German Expressionist Prints
The Specks Collection is noted for its high quality, breadth, and profound graphic power. In celebration of the gift to the museum, the collection is presented here for the first time in its entirety.
Art Books
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
The Role of the Romanies
Since the arrival of the "Gypsies," or Romanies, in Europe at the beginning of the eleventh century, Europeans have simultaneously feared and romanticized them. That ambiguity has contributed to centuries of confusion over the origins, culture, and identity of the Romanies, a confusion that too often has resulted in marginalization, persecution, and scapegoating. The Role of the Romaniesbrings together international experts on Romany culture from the fields of history, sociology, linguistics, and anthropology to address the many questions and problems raised by the vexed relationship between Romany and European cultures. The book's first section considers the genesis, development, and scope of the field of Romany studies, while the second part expands from there to consider constructions of Romany culture and identity. Part three focuses on twentieth-century literary representations of Romany life, while the final part considers how the role of the Romanies will ultimately be remembered and recorded. Together, the essays provide an absorbing portrait of a frequently misunderstood people.
German Post-Expressionism : The Art of the Great Disorder 1918Ð1924
German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.
Monographic Series
None
The End of Expressionism
"Weinstein explores the attitudes and organizations of artists and architects in Berlin, Munich, and Dresden in response to the tumultuous events associated with the end of WWI and the (failed) Revolution. She traces the initial excitement and zeal and then the disillusionment as utopian dreams were dimmed by social, political, and military realities as well as by inherent contradiction within the arts movements itself. The accompanying b&w illustrations, fascinating in themselves, directly depict textual themes."—Booknews
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
