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Impressionism
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
两个亚洲, 两个欧洲
Edited by Gu Zhenqing. Introduction by Gu Zhenqing, Harro Schmidt, Tomasz Wendland. Foreword by Zhang Yonglin.
Zoo
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Nu
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主題としての美術館
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Candida Höfer
Architecture of Absence examines Hofer's unique oeuvre and the relationship of her architecture work to that of the "Becher Circle"-noted students of the Dusseldorf Academy's renowned professor Bernd Becher, including Thomas Ruff, Thomas Struth, Andreas Gursky, and Axel Hutte.
National Union Catalog
Includes entries for maps and atlases.
Print Quarterly
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Lights on
The first definitive survey of works by the younger generation of Norwegian artists. Through the last decade we have witnessed a steadily increasing globalization of contemporary art. Norwegian artists are acknowledged as being part of a larger artistic milieu a milieu in which they have become more visible and active participants.
