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Galleria nazionale d'arte antica
Prefazioni: Francesco Rutelli; Emmanuele Francesco Maria Emanuele; Presentazione, Claudio Strianti;La Galleria Nazionale d'Arte Antica di Palazzo Barberini, Lorenza Mochi Onori e Rossella Vodret; Le principali collezioni confluite nella Galleria Nazionale d'Arte Antica di Palazzo Barberini, Lorenza Mochi Onori e Rossella Vodret; Catalogo, Lorenza Mochi Onori e Rosella Vodret; Mostre; Indice per autori; Indice per sogetto; Indice per provenienza; Bibliografia.
National Union Catalog
Includes entries for maps and atlases.
Miraculous Encounters
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregna...
Le dimore di Pisa
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Art and Love in Renaissance Italy
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Francesco Solimena
Il volume propone una revisione critica del percorso artistico del Solimena, relativo al periodo della sua crescente affermazione. Partendo da una nuova serie di dipinti giovanili, viene analizzato il rapporto con la bottega del padre Angelo, per ripercorrere le tappe di un fondamentale processo di collaborazione e di progressiva innovazione stilistica. Vengono individuate le figure cardine della committenza, ecclesiastica e nobiliare, che permisero l’inserimento dell’artista nel circuito dei principali ordini religiosi presenti a Napoli. Nella fase di passaggio al nuovo secolo sono state indagate le principali direttrici che segnarono la svolta dei suoi contatti con l’esterno: dai rap...
