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Gandhara was a historic region in the northwest of ancient India, currently Pakistan and Afghanistan, best known for its Greco-Buddhist school of sculpture. In its interpretation of Buddhist legends, the Gandhara school incorporated many motifs and techniques from classical Roman art while remaining Indian at its core. It depicted Buddha in human form for the first time, blending Hellenistic and Indian influences, often with features resembling the Greek god Apollo. Today, despite an international outcry, Afghanistan's ruling Taliban religious army has instituted a policy of demolishingall Gandhara statues, calling them "un-Islamic." Exquisitely illustrated, Gandhara: The Memory Of Afghanistan pays tribute to an art under siege, documenting its importance in world history.
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhār...
Gandhara was a region historic in the northwest of ancient India -- modern day Pakistan and Afghanistan -- best known for its Greco-Buddhist school of sculpture. In its interpretation of Buddhist legends, the Gandhara school incorporated many motifs and techniques from classical Roman art, while remaining Indian at its core. It depicted Buddha in human form for the first time, blending Hellenistic and Indian influences, often with features resembling the Greek god Apollo. Today, despite an international outcry, Afghanistan's ruling Taliban government has instituted a policy of demolishing all Gandhara statues -- calling them "un-Islamic." Exquisitely illustrated, Gandhara: The Memory of Afghanistan pays tribute to an art under siege, documenting its importance in world history.
Buddha in Gandhara is the saga of ancient Buddhist cities of Gandhara--a region that extended from north-western Pakistan to eastern and north-eastern Afghanistan. It tells stories of cities that once dotted the highroad connecting India with Central Asia and China. It traces the network of Asian trade routes that nourished these cities with goods, people and ideas. It also trains the spotlight on the magnificent art of Gandhara that still clings to the ruins of these heritage cities and also those that are showcased in the museums of Asia and Europe.--Amazon.com.
Kurt Behrendt in this book for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan.
Most contemporary journalistic and scholarly accounts of the instability gripping Afghanistan and Pakistan have argued that violent Islamic extremism, including support for the Taliban and related groups, is either rooted in Pashtun history and culture, or finds willing hosts among their communities on both sides of the Afghanistan-Pakistan border. Abubakar Siddique sets out to demonstrate that the failure, or even unwillingness, of both Afghanistan and Pakistan to absorb the Pashtuns into their state structures and to incorporate them into the economic and political fabric is central to these dynamics, and a critical failure of nation- and state-building in both states. In his book he argues that religious extremism is the product of these critical failures and that responsibility for the situation lies to some degree with the elites of both countries. Partly an eye-witness account and partly meticulously researched scholarship, The Pashtun Question describes a people whose destiny will shape the future of Pakistan and Afghanistan.
The northwestern regions of Pakistan and southeastern regions of Afghanistan were once the heart of a highly developed civilization whose cultural impact was felt from China to Persia. A major center of Buddhism, its cultural attainments were highlights of ancient civilization. The author's research, accompanied by some 60 illustrations, offers Americans an entirely new understanding of the desolate region shown on the nightly news. The Persian, Greek and Central Asian invasions of Gandhara, rather than causing wide scale destruction in the region, promoted the development of a multi-cultural, multi-ethnic society. After a gestation period of about half a millennium, this region blossomed in...