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Ganga Devi
"The creative expression of rural and tribal artists has always been seen by most art historians as a product of ethnic collectivity whose authenticity lies in the remoteness of time and space. This study is the first of its kind, tracing the growth of a rural artist's work from her early paintings to her venturing out into narrative and autobiographical work, and the invention of a new pictorial vocabulary."--BOOK JACKET.
What's the Use of Art?
Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images—...
Ganga Devi
A variety of majestic gods and goddesses grace the covers of Mandala's self-discovery journals. Mandala's most popular imagery is included here with quotes inserted every 16 pages. Deluxe versions contain Japanese silk binding, inset deity portrait and gold foil stamping. These otherwise blank, fully-lined writing companions provide an elegant home for a writer's innermost thoughts, from the inspired to the everyday.
South Asian Folklore
With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.
Ganga Devi
"In the Mithila region of north Bihar there is an old tradition of painting the walls of the nuptial chamber. The paintings are an assemblage of symbolic images of the lotus plant, the bamboo grove, fishes, birds and snakes in union, and represent fertility and the proliferation of life. According to conventional ritual practice, the bride and the groom spend three nights in this chamber without cohabiting, and on the fourth, amidst the paintings, consummate the marriage." "Ganga Devi, both as a person and as an artist, was rooted in the tradition of Mithila painting. While the tradition was deeply ingrained in her and was a source of inspiration in her work, and of courage in her tormented ...
Goddess Ganga Puja
In Vedic Sciences, the Sanskrit word Puja means honoring of a force more powerful than you for inner gains. The goddess Ganga represents the powerful element of water. Water is so powerful that without it we cannot taste the pleasures of the universe. It is the ultimate cleansing agent and as the ocean it can absorb tons of impurities but yet remain clean. The power of its divine karmic cleansing is used in a Goddess Ganga Puja to rid the performer of all his or her karmic impurities, so that life can be enjoyed prosperously again.
'Photos of the Gods'
Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.
A Dictionary of Indian Literature: Beginnings-1850
This Volume Aspires To Be A Handy Reference Work For Users Whose Interest Is Not Limited To One Or Two Indian Language Literatures But Spreads Over Sanskrit, Tamil, Pali And The Prakrit As Well As To Asimiya, Bangla, Gujarati, Hindi, Kannada, Kashmiri, Maithili, Malayalam, Manipuri, Marathi, Oriya, Punjabi, Rajasthani, Sindhi, Telugu And Urdu. Starting With The Vedas And The Upanishads, The Coverage Spans Several Centuries Up To The Year 1850.
Miracles of Lord Harihar Sarahunaath
Lord Sarahu Nagarazan 1st June 1988 was born as a human incarnation to the earth. And he has come for the welfare of world. What he has suffered in this human incarnation is as follows. Beginning with the vicissitude of his Love. He did continuously 8 years DhyÃna or hypnotism for his first lover Uma. In these 8 years, last 4 year's Suma came into his life and infringed in DhyÃna or hypnotism. Then he continued DhyÃna or hypnotism for Uma. After 8 years instead of getting the power of hypnotism, he received the grace of illumination on god and world. After his matriculation he knocked the door of Kannada film industry. There he cheated by film writers, directors and technicians. Then at t...
