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Herbert Adams Gibbons' 'The Foundation of the Ottoman Empire' provides an in-depth and historical look at the rise of the Ottoman Empire. Gibbons uses a scholarly approach, drawing on primary sources and historical records to provide a detailed account of the empire's origins and early development. Through his meticulous research and careful analysis, Gibbons explores the political, economic, and social factors that contributed to the establishment of this powerful empire. His writing style is academic yet accessible, making this book a valuable resource for students and scholars interested in Ottoman history and the broader context of the medieval world. Herbert Adams Gibbons, a respected h...
The notions of the cosmic city and the common law are central to early Stoic political thought. As Vogt shows, together they make up one complex theory. A city is a place governed by the law. Yet on the law pervading the cosmos can be considered a true law, and thus the cosmos is the only real city. A city is also a dwelling-place--in the case of the cosmos, the dwelling-place of all human beings. Further, a city demarcates who belongs together as fellow-citizens. The thought that we should view all other human beings as belonging to us constitutes the core of Stoic cosmopolitanism. All human beings are citizens of the cosmic city in the sense of living in the world. But the demanding task o...
What is rhetoric? Is it the capacity to persuade? Or is it 'mere' rhetoric: the ability to get others to do what the speaker wants, regardless of what they want? Robert Wardy uses Gorgias at the centre of this book and the debate.
This work describes how Euripides provides, in specific plays, a variety of original treatments of well-known views of his contemporaries, the Sophists. The emphasis is on Euripides as the creative virtuoso of dramatic ideas rather than as a philosopher. Euripides' adaptation covers a range of dramatic styles and approaches, from the tragic treatment of the nature in "Hippolytus", to the near parody of Sophistic views on sense-perception in "Helen".
This book is a study of the agon, or formal debate, in Euripides' tragedies. In these scenes, two characters confront each other, often before an arbitrator or judge, and make long speeches as if they were opponents in a court of law. Most of Euripides' extant plays contain an agon, often of crucial importance to the central conflict of the play. Lloyd provides interpretations of the more important agones, giving special attention to their dramatic context and function. Concentrating on Euripides' rhetorical skill, brilliance in argument, and interest in philosophy, Lloyd explores the role of formal debate in Euripides. He contrasts the agon in Euripides' work with that of Sophocles, and discusses extensively Euripides' relationship to fifth-century rhetorical theory and practice.
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances. Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated. Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.