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The Romantic Dramas of Garcia Gutierrez
Excerpt from The Romantic Dramas of Garcia Gutierrez Since the number of special works devoted to the Romantic movement in Spam is not large, and since, as far as the author has been able to ascertain, then is no work in English dealing particularly with Garcia Gutiérrez; it is hoped that this modest treatise may be of service to those interested in Spanish Romanticism end perhaps to students of Spanish literature in general. The author's own interest in this period is keen, end he hopes to do further work upon Garcia Gutierrez and his contemporaries. If by the publication of this work he can in any way aid others with similar interests, he will be more than satisfied. The first chapter of ...
The Troubadour (1836): A Chivalresque Drama in Five Acts in Prose and Verse
On March 1, 1836, a young Spanish soldier-he was four months shy of his twenty-third birthday-left his Leganes army barracks without permission to attend the premiere of his first play at Madrid's Teatro del Principe. The Troubadour (El Trovador), the object of much advance publicity, proved to be a resounding success, so much so that the unknown playwright was raucously summoned to the stage to take a bow. Unprepared for such a reception and not dressed for the occasion, Antonio Garcia Gutierrez (1813-84) accepted a coat from Ventura de la Vega, a fellow playwright, in order to look more presentable to his admiring public. If the Duke of Rivas's Don Alvaro o la fuerza del sino (which premie...
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The Stages of Property
Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.
