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Morgan Worthy, a research psychologist, presents a comprehensive picture of how eye color is related to the behavior of humans and animals. In humans, he used archival records of athletic performance to show the theoretical pattern which has light-eyed athletes performing at their best on self-paced tasks and dark-eyed athletes, on average, performing at their best on reactive tasks. This same general pattern is shown to hold true in animal behaviors such as hunting tactics of predators and escape tactics of prey. Whereas dark-eyed predators tend to rely on immediate, quick, reactions to catch prey, light-eyed predators tend to rely more on their ability to lie-in-wait or stalk prey. Various other behaviors such as perception and social interaction are discussed in the same theoretical framework.
At the turn of the twentieth century, an emerging consumer culture in the United States promoted constant spending to meet material needs and develop social identity and self-cultivation. In Sold American, Charles F. McGovern examines the key players active in shaping this cultural evolution: advertisers and consumer advocates. McGovern argues that even though these two professional groups invented radically different models for proper spending, both groups propagated mass consumption as a specifically American social practice and an important element of nationality and citizenship. Advertisers, McGovern shows, used nationalist ideals, icons, and political language to define consumption as the foundation of the pursuit of happiness. Consumer advocates, on the other hand, viewed the market with a republican-inspired skepticism and fought commercial incursions on consumer independence. The result, says McGovern, was a redefinition of the citizen as consumer. The articulation of an "American Way of Life" in the Depression and World War II ratified consumer abundance as the basis of a distinct American culture and history.
Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
The purpose of this book is to feature the Gospels of Jesus the Christ in an authentic canon apart from the patriarchal language framework of the New Testament. By that I mean that the gospels have been translated into a language framework that clarifies the truth of the Gospels by eliminating the bias and obscurities of patriarchy, gender, anti-Semitism and the sixteenth century’s distortions inherent in King James I’s promotion of the divine right of kings. From the discoveries and research over the last fifty years I have been inspired by the Gospel of Mary, the Gospel of Thomas, and writings on the Aramaic basis of the Gospels where the authentic voice of Jesus is made accessible.
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WINNER OF THE NEW ENGLAND SOCIETY BOOK AWARD In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American his...