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A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.
This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.
A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire. SHORTLISTED for the EHS Book Prize 2020 The moralism that characterized the decades either side of 1800 - the so-called 'Age of William Wilberforce' - has long been regarded as having a massive impact on British culture. Yet the reasons why Wilberforce and his Evangelical contemporaries were so influential politically and in the wider public sphere have never been properly understood. Converting Britannia shows for thefirst time how and why religious reformism carried such weight. Evangel...
THE GRIPPING WWII ESPIONAGE THRILLER ABOUT SURVIVAL, TRUST AND A DEADLY BATTLE FOR THE TRUTH . . . 'Races along, with plenty of surprises' Times February, 1944. A bitter winter grips occupied France, where Marc Reece leads a circuit of British agents risking their lives in order to sabotage the German war effort from within. But Reece has a second mission, secret even from his fellow agents - including Charlotte, the woman with whom he has ill-advisedly fallen in love. He must secure a document identifying a German spy at the heart of British intelligence. The fate of the Allied forces on D-Day is in his hands. But when his circuit is ambushed - with fatal consequences - Reece realizes there...
As one of Victorian Britain’s pre-eminent social reformers, Lord Shaftesbury (1801–85) exerted a lasting impact surpassing all of his parliamentary contemporaries. Despite being born into one of England’s aristocratic families, a combination of early childhood deprivation, an earnest Evangelical faith, and an abiding sense of noblesse oblige made him a champion of the poor. His seminal contribution to the Victorian factory reform movement represented just one of his manifold legacies. This contextual study of the Seventh Earl of Shaftesbury probes the mind behind the man to evaluate the religious and philosophical ideas, and their leading figures, that ignited his lifelong activism in ...
The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.
On the back cover of one of his most groundbreaking solo albums, . . . Nothing like the Sun of 1987, Sting (Gordon Matthew Sumner, b. 1951 in Wallsend, UK) somberly stands close to a statue of Mary, the mother of Jesus. The album was released a few months after his own mother, Audrey, died. The picture was taken on the island of Montserrat, where he was recording the album, apparently on the day of her death. “I said goodbye to my mother, as I had a recording date in Montserrat, and she died a week later.” When asked by the author if his mother was particularly connected to Mary, and if this was why he chose this image, he replied “No, but I did.” This evocative photograph and Sting’s quick answer encapsulate the two pillars of this book: a microhistory of a specific British Catholic parish in the 1950s–60s, and the impact that growing up there had on Sting’s artistic output. And beyond that, this book opens a window onto the influence of Catholic education and imagination on millions of less famous people who had similar upbringings.
This innovative book challenges many of the widely held assumptions about the place of religion in Victorian society and in London, the world's first great industrial and commercial metropolis. Against the background of Victorian London it explores the religiosity of Londoners as expressed through the dynamic renewal of traditional faith communities, including Judaism and the historic churches, as well as fresh expressions of religion, including the Salvation Army, Mormons, spiritualism, and the occult. It shows how laypeople, especially the rich and women were mobilised in the service of their faith, and their fellow citizens. Drawing on research in social, economic, oral, cultural, and wom...
Baptist Noel (1798-1873) has been described by the American Evangelical Anglican historian Grayson Carter as a towering figure in nineteenth-century Evangelicalism, but he has been written out of its story because he was a saintly rebel who counted a good conscience more valuable than a good standing. This ultimately led him to abandon his glittering Anglican career and aristocratic family to become a Baptist minister. A Rebel Saint is a comprehensive study of Noel's life, work and thought, correcting the neglect of his remarkable Anglican and Baptist ministries and his many years of prominence in Evangelical life. Philip Hill ably illustrates his influence on issues including the Irvingite controversy, the opposition to the Tractarian movement, and Evangelical ecumenism, and explains his centrality in the establishment of the Evangelical Alliance and the London City Mission. Scholars of Evangelical history will greatly value this account of a pivotal figure, while all will be inspired by his story of sacrifice of fame and fortune for the sake of obeying religious conscience.
This book is composed of a selection of papers presented at a conference in Cambridge in December 2005. Cultural history is a relatively new sub-discipline. Over the past few decades, it has become increasingly apparent that a new generation of historians has emerged. These scholars have become concerned with research, sources and questions traditionally beyond the scope of the discipline of history. Indeed, recent monographs in history have demonstrated a growing awareness of the cultural imagination in analyses of patterns of change and continuity in the past. Such a movement has also encouraged the development of new networks between different disciplines in the Arts and Social Sciences. ...