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EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
This book pays overdue attention to the British writer Ramsey Campbell, a key figure in the post-1970s boom in Anglo-American horror fiction. Despite a huge output and receiving every accolade within his field over a long career, Campbell has not yet been accorded anything like the wider critical recognition given to his contemporary Stephen King. This study concentrates also on Campbell's neglected novels and novellas, rather than the short stories for which he has been better known. The book Ramsey Campbell establishes the author's unique prose style, denoted by a haunted self-consciousness about the act of writing and role of readership, and his distinctive mediation of the Gothic tradition: religiously agnostic, politically liberal and ethically humane. For the first time, Campbell's works are interpreted in the contexts of trends in postmodernist and posthumanist thought and compared explicitly to King's, and his contribution to both Gothic studies and wider contemporary literature is appraised.
Video gaming is economically, educationally, culturally, socially and theoretically important, and has, in a relatively short period of time, firmly cemented its place within contemporary life. It is fair to say, however, that the majority of research to date has focused most specifically on either the video games themselves, or the direct engagement of gamers with a specific piece of game technology. In contrast, Video Gamers is the first book to explicitly and comprehensively address how digital games are engaged with and experienced in the everyday lives, social networks and consumer patterns of those who play them. In doing so, the book provides a key introduction to the study of gamers and the games they play, whilst also reflecting on the current debates and literatures surrounding gaming practices.
Prison City looks beneath the placid surface of Huntsville, Texas, execution capital of the world, and sheds light on controversial issues usually hidden behind penitentiary walls. The authors draw on a multitude of voices from the community surrounding the prison - from inmates and guards to neighboring residents and local politicians - to reflect on questions of crime and punishment, vengeance, and forgiveness. We see how the sophisticated communication techniques employed by inmates, information officers, and community leaders shape opinions in the small towns where prisons are a principal industry. The poignant, evocative stories that run throughout the book highlight the incarcerated population's increasing influence in the political, cultural, and economic landscape in the United States. Most of all, Prison City offers opportunities to understand why the Texas justice system has become a global metaphor for incarceration and capital punishment.
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