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Introduction: Anthologizing contemporary Palestinian theater / Samer Al-Saber -- Palestine: resistance and identity through drama / Gary M. English -- Stories under occupation / Al-Kasaba Ensemble -- We are the children of the camp / Abdelfattah Abusrour -- The Gaza mono-logues / Orginal cast from Gaza -- Shakespeare's sisters / Pietro Floridia -- 3 in 1 / Ihab Zahdeh -- The siege / Nabil AlRaee -- Taha / Amer Hlehel.
Are You a Lady or a Woman? The Lady is about a kind, elegant, playful--and very powerful--way of being in the world that extends to all aspects of life, from business, money and parenting to flirtation, seduction and sex. A lady is a source of power that creates possibility. She chooses to be everything that she is without being defined by what others think she should be. She knows what she desires and how to get it. She leads without controlling--she never has to compete with anyone. This book is about fully receiving and enjoying the beauty, power, fun and excitement of who you are. It describes a way of being that welcomes men and women to be kind, understanding, and knowledgeable about the world and how to navigate it. "A lady is always an inspiration to others, just by knowing who he or she is."
What would it be like to begin enjoying your body no matter what size, shape, age or fitness? Isn't it time to stop the patterns and habits with your body that keep you stuck? Is your body an ease or burden? This is a very different perspective about bodies and your ability to change yours. It might all be easier than you ever knew was possible!
This book is a ground-breaking collection on contemporary Arab theatre. Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage. This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.
Includes appendices.
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New Diplomatic History has turned into one of the most dynamic and innovative areas of research – especially with regard to early modern history. It has shown that diplomacy was not as homogenous as previously thought. On the contrary, it was shaped by a multitude of actors, practices and places. The handbook aims to characterise these different manifestations of diplomacy and to contextualise them within ongoing scientific debates. It brings together scholars from different disciplines and historiographical traditions. The handbook deliberately focuses on European diplomacy – although non-European areas are taken into account for future research – in order to limit the framework and ensure precise definitions of diplomacy and its manifestations. This must be the prerequisite for potential future global historical perspectives including both the non-European and the European world.
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