You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Presented in full color, this collection of examples from Florida artists attests to an intensely personal yet universal desire for self-expression.
Cursum Perficio is the name of Marilyn Monroe's last home. Cursum Perficio, the book, is author Gary Vitacco-Robles' exploration of Marilyn's last home as a touchstone to her brief and extraordinary life. A definitive testament of Marilyn Monroe's modest nature, simple tastes and spirituality was her selection of a house in which to settle at age 35. The Spanish Colonial hacienda symbolizes Marilyn's unfulfilled dreams and unfinished life. The Latin inscription on the tiles adorning the front doorstep, Cursum Perficio (translating to "My journey ends"), prophesied the screen goddess' death in the home in 1962. Cursum Perficio invites us inside Marilyn's private life through 120 illustrations...
Between ten and fifteen thousand persons of Cuban-Jewish heritage currently live in Miami. Until now, however, this vibrant community and its unique traditions have, to a large extent, escaped the notice of ethnographers, historians, and other scholars. In Cuban-Jewish Journeys, Caroline Bettinger-López remedies that neglect with an engaging, in-depth look at a people whose rich mix of cultures confounds typical ethnic images. The author begins by investigating the history and development of the Cuban-Jewish community, tracing its origins back to Jewish enclaves in Eastern Europe, Russia, and the Mediterranean. She explores how these people came to Cuba in the first half of the twentieth ce...
Before the high rises, the nightlife, and the fashion scene, Miami's South Beach was a retirement haven for American Jews. In The Last Resort, photographer Gary Monroe presents a collection of images that preserve his observations of this vanished time. After World War II, Jewish retirees from the Northeast--many of whom had come to America to escape Nazi Germany--found comfort, camaraderie, and culture in the sunny island city of Miami Beach. By the late 1950s, the population was 80% Jewish, and eventually the neighborhood of South Beach became home to a strong community of elderly Jews. A local who grew up in a Jewish household during this time, enchanted by the deep-rooted traditions and ...
The Highwaymen introduces a group of young black artists who painted their way out of the despair awaiting them in the citrus groves and packing houses of 1950s Florida. As their story recaptures the imagination of Floridians and their paintings fetch ever-escalating prices, the legacy of their freshly conceived landscapes exerts a new and powerful influence on the popular conception of the Sunshine State. While the value of Highwaymen paintings has soared in recent years, until now no authoritative account of the lives and work of these black Florida artists has existed. Emerging in the late 1950s, the Highwaymen created idyllic, quickly realized images of the Florida dream and peddled some 100,000 of them from the trunks of their cars.
"The key to Silver Springs's success was marketing, and park administrators knew well the power of publicity. This natural wonder was sold and marketed to tourists with tableaux of ordinary life taking place underwater. As the official photographer for nearly forty-five years, Bruce Mozert was a key player In promoting the park as a verdant wonderland where impossible things might happen underwater: a model cooks at a stove, wooden spoon at her mouth to taste, while condensed milk rises from a hidden can (to look like smoke); another bathes in a tub, scrubbing her toes; yet another relaxes on a chaise lounge while a nearby air conditioner hums away. These images are delightfully playful and clever, even touching in their depiction of the tastes and mores of an era of American optimism."--BOOK JACKET.
The former senator and presidential candidate offers a provocative new assessment of the first "national security president" James Monroe is remembered today primarily for two things: for being the last of the "Virginia Dynasty"—following George Washington, Thomas Jefferson, and James Madison—and for issuing the Monroe Doctrine, his statement of principles in 1823 that the western hemisphere was to be considered closed to European intervention. But Gary Hart sees Monroe as a president ahead of his time, whose priorities and accomplishments in establishing America's "national security" have a great deal in common with chief executives of our own time. Unlike his predecessors Jefferson and...
"Here, Monroe tells perhaps his most compelling tale of all--about the only Highwaywoman, Mary Ann Carroll."--Jeff Klinkenberg, author of Alligators in B-Flat "A tale of triumph, of personal survival, of discipline, and finally, of faith."--Linda Hudson, mayor, Fort Pierce, Florida "An inspiring story of how one African-American woman artist not only survived a man's world but also did it during the long storm of a racist climate."--Ginger Smith Baldwin, senior legislative assistant, Florida Senate "A great read of an inspiring story about a woman of faith, character and drive. Mr. Monroe captures the essence of the Highwaymen's art, Mary Ann Carroll's life, and the entrepreneurial spirit th...
None
During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In Through the Lens of the City: NEA Photography Surveys of the 1970s, Mark Rice brings to light this long-neglected photographic endeavor. From 1976 to 1981, the NEA supported more than seventy projects that examined a wide range of people and places in America. Artists involved included such well known photographers as Bruce Davidson, Lee Friedlander, and Joel Meyerowitz and many photographers who became widely known after their work with the surveys, such as Robert Adams, Joe Deal, Terry Evans, and Wendy Ewald. Rice argues that ...