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Tercera Parte de la Tragicomedia de Celestina
  • Language: en
  • Pages: 608

Tercera Parte de la Tragicomedia de Celestina

Carefully and judiciously edited by Mac E. Barrick, the Tercera Celestina is a rare piece of Spanish Renaissance prose fiction, a literary masterpiece, and a mine of linguistic and proverbial materials.

Toledo
  • Language: es
  • Pages: 58

Toledo

  • Type: Book
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  • Published: 1973
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  • Publisher: Unknown

None

Tercera parte de la tragicomedia de Celestina
  • Language: es
  • Pages: 256

Tercera parte de la tragicomedia de Celestina

  • Type: Book
  • -
  • Published: 1536
  • -
  • Publisher: Unknown

None

Tercera parte de la tragicomedia de Celestina
  • Language: es
  • Pages: 597

Tercera parte de la tragicomedia de Celestina

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

The Invention of the Sequel
  • Language: en
  • Pages: 262

The Invention of the Sequel

This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines ...

The Criminal Baroque
  • Language: en
  • Pages: 271

The Criminal Baroque

TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.

Tercera parte de la tragicomedia de celestina
  • Language: es
  • Pages: 597

Tercera parte de la tragicomedia de celestina

  • Type: Book
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  • Published: 1973
  • -
  • Publisher: Unknown

None

A History of the Spanish Novel
  • Language: en
  • Pages: 417

A History of the Spanish Novel

"The origins of the Spanish novel date back to the early picaresque novels and Don Quixote, in the sixteenth and seventeenth centuries, and the history of the genre in Spain presents the reader with such iconic works as Galdaos's Fortunata and Jacinta, Clarain's La Regenta, or Unamuno's Mist. A History of the Spanish Novel traces the developments of Spanish prose fiction in order to offer a comprehensive and detailed account of this important literary tradition. It opens with an introductory chapter that examines the evolution of the novel in Spain, with particular attention to the rise and emergence of the novel as a genre, during the sixteenth and seventeenth centuries, and the bearing of ...

Celestinesca
  • Language: es
  • Pages: 348

Celestinesca

  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

A History of Spanish Literature
  • Language: en
  • Pages: 236

A History of Spanish Literature

  • Type: Book
  • -
  • Published: 2022-09-16
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  • Publisher: DigiCat

DigiCat Publishing presents to you this special edition of "A History of Spanish Literature" by James Fitzmaurice-Kelly. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.