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Many myths and fallacies have surrounded the life of Prince Mangosuthu Buthelezi; a man who has played a profound and undeniable role in shaping the history and culture of South Africa for more than half a century. Yet even his opponents refer to him as the doyen of South African politics. This book chronicles Buthelezi's legacy in South Africa's struggle for liberation. It examines his utterances, beliefs and warnings, to the ANC alliance, the apartheid government and the people of South Africa at large. In doing so, it exposes the myths and challenges the propaganda, while forging a clearer picture of the man about whom so much has been written. The book considers Buthelezi's principled ad...
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Many myths and fallacies have surrounded the life of Prince Mangosuthu Buthelezi; a man who has played a profound and undeniable role in shaping the history and culture of South Africa for more than half a century. Yet even his opponents refer to him as the doyen of South African politics. This book chronicles Buthelezis legacy in South Africas struggle for liberation. It examines his utterances, beliefs and warnings, to the ANC alliance, the apartheid government and the people of South Africa at large. In doing so, it exposes the myths and challenges the propaganda, while forging a clearer picture of the man about whom so much has been written. The book considers Buthelezis principled advoc...
Ben Temkin, Buthelezi's biographer, had the full co-operation of Chief Buthelezi in the writing of this book. There were interviews and discussions in KwaZulu and in Johannesburg, in offices, at the airport, in hotels, in private homes and even while they travelled between centres in KwaZulu.
The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.
This book contains selected speeches of South African statesman M. Gatsha Buthelezi.