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This compelling book recounts the history of black gay men from the 1950s to the 1990s, tracing how the major movements of the times—from civil rights to black power to gay liberation to AIDS activism—helped shape the cultural stigmas that surrounded race and homosexuality. In locating the rise of black gay identities in historical context, Kevin Mumford explores how activists, performers, and writers rebutted negative stereotypes and refused sexual objectification. Examining the lives of both famous and little-known black gay activists—from James Baldwin and Bayard Rustin to Joseph Beam and Brother Grant-Michael Fitzgerald—Mumford analyzes the ways in which movements for social change both inspired and marginalized black gay men. Drawing on an extensive archive of newspapers, pornography, and film, as well as government documents, organizational records, and personal papers, Mumford sheds new light on four volatile decades in the protracted battle of black gay men for affirmation and empowerment in the face of pervasive racism and homophobia.
Sweet Tea
A photographic celebration of the love and relationships of queer people of color by a former New York Times multimedia journalist “Thank you, Jamal Jordan, for showing the world what true love looks like.”—Billy Porter Queer Love in Color features photographs and stories of couples and families across the United States and around the world. This singular, moving collection offers an intimate look at what it means to live at the intersections of queer and POC identities today, and honors an inclusive vision of love, affection, and family across the spectrum of gender, race, and age.
In nine essays on Afrocentrism, anti-Semitism, and other aspects of identity and intellect, Reid-Pharr (English, Johns Hopkins U.) seeks to expose the "essentially impermeable and thus impure nature" of all American identities. "Moreover," he writes, "even as I demonstrate repeatedly the excessive lengths to which many have gone to reproduce the boundaries of various articulations of the self, I continue to emphasize my belief that the great joy of living in the modern world is the recognition that all processes of naming, all names (black, gay, man), are ultimately monuments to the impossibility of ever fully distinguishing self from other. ... We always find the universal." With a thoughtful foreword by science-fiction author Samuel R. Delany (Princeton U.). c. Book News Inc.
1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists! SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a wal...
This book offers an interdisciplinary study of hip-hop music written and performed by rappers who happen to be out black gay men. It examines the storytelling mechanisms of gay themed lyrics, and how these form protests and become enabling tools for (black) gay men to discuss issues such as living on the down-low and HIV/AIDS. It considers how the biased promotion of feminised gay male artists/characters in mainstream entertainment industry has rendered masculinity an exclusively male heterosexual property, providing a representational framework for men to identify with a form of “homosexual masculinity” – one that is constructed without having to either victimise anything feminine or necessarily convert to femininity. The book makes a strong case that it is possible for individuals (like gay rappers) to perform masculinity against masculinity, and open up a new way of striving for gender equality.
An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city. Jed--young, gay, black, out of rehab and out of prospects in his hometown of Chicago--flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escap...
New Writings by black gay men Fiction, essays and poetry by black gay men.
A ground-breaking, provocative and diverse anthology of writing about black gay men's lives in the UK - essays, activist memoirs, (auto)biographies, poems and fiction, edited by multi-award-winning writers Rikki Beadle-Blair and John R Gordon. Contributors are: Adam Lowe, Ade Adeniji, Anu Olu, Bisi Alimi, Cheikh Traore, Cyril Nri, Daniel Fry, 'Danse Macabre', David McAlmont, Dean Atta, Diriye Osman, Donovan Christian-Carey, Donovan Morris, D'relle Wickham (Khan). Edd Muruako, Geoffrey Williams, Giles Terera, Jimmy Akingbola, John R Gordon, Keith Jarrett, Leee John, Leo Ofori, 'Merlin', Mickel Smithen, Paul J Medford, P J Samuels, Rhys Wright, Rikki Beadle-Blair, Dr Rob Berkeley, Robert Taylor, Rogue Scott, Reverend Rowland Jide Macaulay, Salawu Olajide, Tonderai Munyevu, Topher Campbell, Travis Alabanza, Z Jai Walsh
"A significant contribution to the gay studies and African-American studies literature. This is important, groundbreaking work."--Roger N. Lancaster, author of Life Is Hard